Search results for 'Jo Vandepeer'

Vol 46 no 4, November 2024
John Wilson Carey and his ‘Queensland’ cabinet timbers
By David Bedford   |   November 2024   |   Vol 46 no 4




Scottish-born immigrant cabinetmaker John Wilson Carey (1829–1902) made two exceptional items of Queensland
cabinetwork in the 1870s which still exist today. His skilful use of many different Queensland timber veneers makes them
cabinetmaking tours de force. ...

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Vol 46 no 4, November 2024
The Jonathan Leak 1823 victory commemorative wine jug
By Geoff & Kerrie Ford   |   November 2024   |   Vol 46 no 4




Geoff and Kerrie Ford from the National Museum of Australian Pottery in
Holbrook had ‘a bit of an anxious month’ in the build-up to acquiring at
auction in Sydney recently, what they believe is the most important piece of
early Australian convict pottery stamped ‘J ....

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Vol 46 no 4, November 2024
South Australian malachite brooches
By Jo Vandepeer   |   November 2024   |   Vol 46 no 4





We can often recognise items as being Australian because of their subject matter (such as kangaroos) or raw materials (such
as red cedar). Even regional variations in subject matter or raw materials across the continent can lead to distinctive products
or artworks t...

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Vol 46 no 4, November 2024
John Wilson Carey, cabinetmaker and saw-miller
By Yvonne Barber   |   November 2024   |   Vol 46 no 4




While David Bedford has analysed two extant examples of veneered Queensland desks made by J W Carey, Yvonne Barber
provides biographical information about this man devoted to the Queensland timber industry, who remarked that ‘taking a
man like him from his business was li...

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Vol 46 no 3, August 2024
Making the winning crochet design of 1924
By Peter Lane and Rachel Mansfield   |   August 2024   |   Vol 46 no 3

Peter Lane’s article, ‘Australian filet crochet, The Weekly Times Book of Patterns’ that appeared in May 2024 Australianaincluded biographies of the crochet designers and judges of the newspaper’s crochet competition. But it did not record the journalist, who used t...

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Vol 46 no 3, August 2024
Portière 1901, lost and found. Arts and Crafts needlework in South Australia
By Jo Vandepeer   |   August 2024   |   Vol 46 no 3

From either ends of the globe, Portière 1901 has been rediscovered. Over 120 years ago, it was created to commemorate the colony of South Australia joining the Federation of Australia. The Portière was commissioned and made by the first women in the world to gain both the right to vote and to st...

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Vol 46 no 2, May 2024
Australian Toys 1880–1965: The Luke Jones Collection
By    |   May 2024   |   Vol 46 no 2

The David Roche Foundation, Adelaide will show highlights from the Luke Jones toy collection this winter.

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Vol 46 no 2, May 2024
A Silver Mug by Joseph Forrester
By Bill Lowe   |   May 2024   |   Vol 46 no 2

Bill Lowe argues that a silver mug engraved with initials, probably as a christening present, and bearing pseudo-hallmarks and maker’s initials ‘JF’, was most probably made in Hobart by Scottish-born convict silversmith Joseph Forrester, when he was in business there on his own account in the early 1840s....

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Vol 46 no 1, Feb 2024
President’s update
By Colin Thomas   |   February 2024   |   Vol 46 no 1

I trust all members had an enjoyable festive season with family and friends, and took the opportunity to relax. During this period of relaxation, you may well have spent some time reading Australiana and the book so generously donated regarding John Mitchell Cantle, Australia’s first native-born orn...

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Vol 46 no 1, Feb 2024
Castlemaine’s Portrait of the Duchess of York
By John Wade   |   February 2024   |   Vol 46 no 1

The Duke and Duchess of York (later King George VI and Queen Elizabeth) visited Australia to open our new Commonwealth Parliament in Canberra in 1927. On their royal tour, the Duke and Duchess briefly stopped at Castlemaine station in April 1927, met by an enthusiastic crowd.

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Vol 46 no 1, Feb 2024
Book Reviews
By    |   February 2024   |   Vol 46 no 1

BOOK REVIEW BY WARWICK OAKMAN
Mark R. Cabouret, Out From The Shadows
John Mitchell Cantle 1849 – 1919 Australia’s First Native Born Ornithological Draughtsman.
The Australiana Society Inc, Bondi Junction, NSW, 2023. Soft cover,
175 pages, 683 colour & sepi...

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Vol 45 no 4, Nov 2023
What makes an exhibition remarkable?
By Leo Schofield   |   November 2023   |   Vol 45 no 4




Leo Schofield describes his first (and last!) gig as chair of the curatorium which devised the current exhibition at the Powerhouse
Museum in Ultimo in Sydney, the first major and kaleidoscopic show of objects from the Museum’s holdings since 1988. It has
proved exception...

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Vol 45 no 3, Aug 2023
Wedgwood: Master Potter to the Universe
By Timothy Roberts   |   August 2023   |   Vol 45 no 3

Curator and historian Tim Roberts previews a new exhibition on the English ceramics firm Wedgwood, founded by Josiah Wedgwood in 1759, and linked with the British colonisation of Australia through its design and manufacture of the ‘Sydney Cove Medallions’ in 1789. These were made from Sydney clay sent...

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Vol 45 no 3, Aug 2023
The Great Kangaroo Wood Mystery
By R A Fredman   |   August 2023   |   Vol 45 no 3

Bob Fredman highlights an interesting discovery, English cabinetmakers using Australian rose mahogany as an exotic furniture timber in the early 19th-century. He suggests that, in the dearth of mentions of rose mahogany in early Australian furniture, there may be a major void in our knowledge and in our collect...

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Vol 45 no 3, Aug 2023
Book Review: Ron Radford, John Glover. Patterdale Farm and the Revelation of the Australian Landscape
By Scott Carlin   |   August 2023   |   Vol 45 no 3

Leading colonial artist? Or leading early 19th-century British artist working in the colony of Van Diemen’s Land? Clearly the latter. Ron Radford, John Glover, Patterdale Farm and the Revelation of the Australian Landscape reveals how John Glover (1767–1849), a leading artist...

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Vol 45 no 2, May 2023
National tour to Canberra and Regional NSW
By Peter Crawshaw   |   May 2023   |   Vol 45 no 2

The March 2023 Australiana Society National Tour of Canberra and regions was a great success. Forty people from NSW, Victoria, Tasmania and Queensland enjoyed three days visiting diverse collections and houses. Each venue gave us a different perspective and appreciation of Australiana, in d...

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Vol 45 no 1, Feb 2023
President’s Update
By Colin Thomas   |   February 2023   |   Vol 45 no 1

Your Board trusts that you have enjoyed exploring our new website, taken the opportunity to review it in detail and researched past articles. Members’ feedback has been most encouraging! As with any change, there is always the odd issue; we are doing our best to fix them and will further enhance the site base...

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Vol 45 no 1, Feb 2023
An Itinerant Australian Colonial Billiard Table
By John Wade   |   February 2023   |   Vol 45 no 1

The National Museum of Australia in Canberra has purchased an Australian billiard table, carved in high relief with multiple panels of scenes of colonial life, and its matching marking board. Its price of $1,100,000 sets a new record for a piece of Australian furniture. The NMA is not known for collecting Austr...

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Vol 45 no 1, Feb 2023
Adelaide House, Alice Springs: an outback house museum
By Judith McKay   |   February 2023   |   Vol 45 no 1

Curator Judith McKay focuses on a unique house museum in the Northern Territory, originally planned in 1920 by the Rev. John Flynn of Flying Doctor fame as a model outback hospital. Its most remarkable feature was a passive ventilation system designed to cool the building on the Coolgardie safe princ...

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Vol 45 no 1, Feb 2023
Spanish Craftsmen at New Norcia Abbey in Western Australia part 2: John Casellas
By Dorothy Erickson   |   February 2023   |   Vol 45 no 1

Spanish monks established the Benedictine mission at New Norcia in Western Australia in 1846. Following on from her article last year on Isidro Oriol,1 Dr Dorothy Erickson concludes her series on the Spanish craftsmen who worked on buildings and furniture for the monastic community. Here she examines...

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Vol 45 no 1, Feb 2023
Unlocking the Story of Doulton’s ‘Australia 1886’ Vase
By Jon & Yvonne Douglas   |   February 2023   |   Vol 45 no 1

Queensland collectors Jon and Yvonne Douglas explain how their collecting of Doulton ceramics developed and how, as they read more and more about their passion, their interests deepened. Here they present their research into one particular example with Australian connections, a vase made in 1886 for the Colonia...

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Vol 44 no 4, Nov 2022
President’s Update
By Colin Thomas   |   November 2022   |   Vol 44 no 4

Thank you to the members who attended the 2022 Annual General Meeting in person or via zoom. Thank you also for the show of support to me as President and to the other Directors who were elected.

I particularly thank Peter Crawshaw for his nomination and subsequent election to the Secretary’s position. Ly...

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Vol 44 no 4, Nov 2022
William Knox D'Arcy: Art Collector and Patron
By Dianne Byrne   |   November 2022   |   Vol 44 no 4

William Knox D’Arcy (1849–1917) is remembered today as an indefatigable adventurer, who through financial daring and
extraordinary good fortune, became the ‘founder’ of the modern oil industry in the Middle East. However, there is another
facet to his life, as the ex-Rockhampton solicitor who became a...

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Vol 44 no 4, Nov 2022
The Paris Exposition Universelle, the Suez Canal and a Gold Sphinx Brooch
By John Hawkins   |   November 2022   |   Vol 44 no 4

November 2022 marks the centenary of the discovery of the virtually intact tomb of King Tutankhamun, who reigned from about 1332 to 1323 BC. The pharaoh’s burial goods created a worldwide sensation focussed on ancient Egypt, which has long fascinated Europeans, partly because of its Biblical connections and p...

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Vol 44 no 4, Nov 2022
H.A. Nielsen, Art Cabinet Maker, of Port Douglas, North Queensland
By John Wade   |   November 2022   |   Vol 44 no 4

Many colonial woodworkers, often trained in Britain or Europe, came to Australia and discovered the vast variety of native timbers suitable for carving or for making furniture and timber articles. Jewellery ‘book boxes’ made from several contrasting North Queensland timbers and bearing the stamp of ‘H.A. ...

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Vol 44 no 4, Nov 2022
Mary Jones: a Mysterious Artist in Queensland
By Timothy Roberts   |   November 2022   |   Vol 44 no 4

Brisbane painter and art teacher Mary E. Jones has escaped recognition for 130 years. She would not be alone in that fate: over time, many aspiring painters and their works disappear from history. Timothy Roberts reveals some details about Miss Jones’s career and her impact as a woman artist in Brisbane betwe...

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Vol 44 no 3, Aug 2022
An American in the East
By John Wade   |   August 2022   |   Vol 44 no 3

In America as in England, tea drinking became highly fashionable in the 18th century. The duty imposed on tea imported into Britain’s North American colonies became a catalyst for revolution, highlighted by the Boston Tea Partyin 1773. Many discrete meetings of revolutionaries were fuelled by nothing more inc...

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Vol 44 no 3, Aug 2022
1950s souvenir jewellery and art with Indigenous motifs
By Christine Erratt   |   August 2022   |   Vol 44 no 3

Finding more examples of the silver brooch with Indigenous motifs that she discussed in our May issue, Christine Erratt delved further into their history. In the National Archives of Australia, Christine uncovered the 1954 design registration applications.
Six different designs, of which five were inspired b...

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Vol 44 no 3, Aug 2022
Thomas Griffiths, a Queensland woodworker
By John Wade   |   August 2022   |   Vol 44 no 3

Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw a new business opportunity and opened a sawmill at Wy...

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Vol 44 no 2, May 2022
Saving Currajong
By Jillian Dwyer   |   May 2022   |   Vol 44 no 2

Many buildings in Australia have been recognised for their architectural or historical significance, or their association with important individuals. Some have been preserved, and some have not. Jillian Dwyer relates the story of Currajong in Melbourne’s east, the Italianate villa built by the prominent colon...

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Vol 44 no 2, May 2022
King Albert’s ‘Birthday Book’
By John Wade   |   May 2022   |   Vol 44 no 2

After Albert I King of the Belgians refused safe passage to Kaiser Wilhelm’s troops to attack France, Germany invaded neutral Belgium on 4 August 1914. Britain, bound by an 1839 treaty to support Belgium’s neutrality, declared war on Germany the same day. Australian Prime Minister Joseph Cook offered his go...

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Vol 44 no 2, May 2022
A presentation casket with carving by John K. Blogg, 1915
By Sarah Guest   |   May 2022   |   Vol 44 no 2

The box seen here shows the superb carving of John Kendrick Blogg, a successful and entrepreneurial industrial chemist who was born in 1851 in Canada, settled in the Surrey Hills region of Victoria in 1877 and died in 1936. His day job involved making perfumes and extracting essential oils. Family legend has it...

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Vol 44 no 2, May 2022
Contributing to Australiana
By John Wade   |   May 2022   |   Vol 44 no 2

The Australiana Society aims to support ‘researching, preserving and collecting Australia’s heritage’. As our readers have a range of interests and live in different states, so we try to cater to all interests and regions. However, we rely on what you submit. Everyone is welcome to submit articles for con...

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Vol 44 no 2, May 2022
President’s update
By Colin Thomas   |   May 2022   |   Vol 44 no 2

What an outstanding event the Sydney Basin Tour proved to be! While I have detailed this verbally and via personal email, it would be completely remiss of me not to publicly thank Robert Hannan, Peter Crawshaw, Andy Simpson and Tim Cha for their outstanding efforts in planning and delivering a wonderful event. ...

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Vol 44 no 2, May 2022
Photographing your Collection
By John Wade & David Bedford   |   May 2022   |   Vol 44 no 2

There are sound reasons why you should have good photographs of items in your collection, whether as a record, for research, for publication, for sale and for insurance.

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Vol 44 no 1, February 2022
Book reviews
By    |   February 2022   |   Vol 44 no 1

JOURNAL REVIEW BY DR ROSS JOHNSTON, Queensland History Journal, vol. 24, no. 11, November 2021, (Journal of The Royal Historical Society of Queensland); BOOK REVIEW BY DR LINDA YOUNG, Fringe, Frog & Tassel: The Arts of the Trimmings-Maker in Interior Decoration. By Annabel Westman; BOOK REVIEW BY DR DAVID BEDF...

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Vol 44 no 1, February 2022
Trevor John Kennedy AM 24.6.1942 – 28.11.2021
By Lesley Garrett, Anne Schofield & John Hawkins   |   February 2022   |   Vol 44 no 1

Lesley Garrett, a long-standing family friend, fondly recalls Trevor Kennedy's life and passion for collecting, amassing the most important collection of Australian decorative arts ever assembled... Anne Schofield, the source of much of the spectacular jewellery acquired for his collection, has her own distinct...

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Vol 44 no 1, February 2022
Rosa Fiveash’s Quarantine Camp 1919: a not so new ‘normal’
By Jo Vandepeer   |   February 2022   |   Vol 44 no 1

A small watercolour painting reveals remarkable similarities between the 1919 pandemic and that of our times.

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Vol 44 no 1, February 2022
Henning Rathjen: Victorian art potter 1948–1968
By Anne Johnson & Anthony Armstrong   |   February 2022   |   Vol 44 no 1

In the aftermath of World War II, many commercial potteries were established in Australia to satisfy the market disrupted by hostilities, particularly for Japanese and European imports. While some of these new commercial potteries were established by immigrants from war-ravaged Europe, Henning Alfred Rathjen (1...

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Vol 44 no 1, February 2022
John Glover through the Claude Glass
By Glynnis Stevenson   |   February 2022   |   Vol 44 no 1

English painter John Glover once owned two Italian landscapes by the French painter known as Claude Lorrain. Claude's work prompted artists and tourists to view landscape in terms of art, so they would often look at 'Picturesque' scenery reflected in a tinted convex mirror known as a ‘Claude glass’, simulat...

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Vol 44 no 1, February 2022
President’s Update
By    |   February 2022   |   Vol 44 no 1

I trust all members had an enjoyable festive season with the family and friends they were fortunate enough to be able to see. As I have stated all too often, COVID never ceases to amaze with the number of twists and turns it continues to deliver. Who would have ever thought that, with the vaccination levels mos...

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Vol 43 no 4, November 2021
Australiana Society tours 2021: Ballarat and Camperdown Tour
By Robert Stevens   |   November 2021   |   Vol 43 no 4

Australiana Society members visited the Ballarat region of Victoria in May, as part of a tour carefully planned by Victorian branch chair Robert Stevens. Luckily, it fell into a gap between COVID lockdowns, and gave members from several states a chance to get out, mingle and enjoy what the Victorian Central Gol...

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Vol 43 no 4, November 2021
Australiana Society tours 2021: Bathurst Heritage Weekend
By John Wade & Yvonne Barber   |   November 2021   |   Vol 43 no 4

Postponed several times due to Covid-19 restrictions, our plans for a visit to Bathurst in the NSW Central Tablelands, lands of the Wiradyuri Nation, finally came to fruition from 30 April to 2 May 2021, with the maximum
50 participants from five states taking part. Others were unable to attend for fear of not...

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Vol 43 no 4, November 2021
Book reviews
By Claire Blakey & Nat Williams   |   November 2021   |   Vol 43 no 4

Petra ten-Doesschate Chu and Max Donnelly with Andrew Montana and Suzanne Veldink, Daniel Cottier: Designer, Decorator, Dealer.
Paul Mellon Centre for Studies in British Art, Yale University Press, New Haven CT 2021. Hard cover,
256 pp, 200 illustrations, Booktopia price $59 plus postage.
Philip...

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Vol 43 no 4, November 2021
‘Royal memories of Canberra’; repatriating the Duke of Gloucester’s 1946 collection Scenes of Canberra by John Eldershaw
By Sam Nichols   |   November 2021   |   Vol 43 no 4

John Roy Eldershaw (1892–1973) was a landscape artist who worked primarily in watercolours. During his lifetime, he
was proclaimed to be ‘destined to leave unmistakable footprints in the sands of time’. In 1973 Sir Erik Langker, the arts administrator and influential member of
the Sydney arts establishm...

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Vol 43 no 4, November 2021
Meshach Stevens, artist, painter and tradesman
By Robert Stevens   |   November 2021   |   Vol 43 no 4

Between arriving in Hobart Town as a convict on 3 August 1831 and the last evidence of his residing in Van Diemen’s Land in 1847, Meshach Stevens painted a very competent copy of a famous print after William John Huggins titled Northern Whale Fishery, published in London in 1829 (plate 1).1 For almost ...

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Vol 43 no 4, November 2021
Queensland 1859 Secession’ pottery medals
By Geoff Ford   |   November 2021   |   Vol 43 no 4

Glen went on to tell us, in a joking manner, that he had made these fake 1859 Secession Medals in 1977 for fun in the hope of making some money while he was a student working in the Visual Arts department at the Darling Downs Institute of Advanced Education in
Toowoomba (now the University of Southern Queensla...

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Vol 43 no 3, August 2021
Book Reviews
By    |   August 2021   |   Vol 43 no 3

BOOK REVIEW BY ANNE-MARIE VAN DE VEN Gavin Fry, Havekes Painter, Sculptor, Ceramicist, Beagle Press, Canberra 2020. Hardcover, 168 pp, 32.5 x 27.5 cm, ISBN 987-0-947349-63-9, RRP $99. 
BOOK REVIEW BY PETER LANE Justin Gare, Donald Leslie Johnson and Donald Langmead, Colonial Vision Adelaide Kingston &am...

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Vol 43 no 3, August 2021
Allen Duckworth, woodworker and native timbers crusader
By Yvonne Barber & John Wade   |   August 2021   |   Vol 43 no 3

In the preceding article, David Bedford identified four Australian manufacturers of cribbage boards: Grose Manufacturing Co of Brisbane; Clipsal, a brand name of Gerard Industries in Adelaide; John Sands & Co, founded in Sydney as Sands & Kenny in 1851; and Crown Mulga made by A.W.G. Davey & Sons Lt...

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Vol 43 no 2, May 2021
Feedback
By John Wade   |   May 2021   |   Vol 43 no 2

Robert Stevens, in ‘William Paul Dowling: artist, artist-photographer and photographer’ in our November 2020 issue, and using information provided by Irish genealogist Dr Paul MacCotter, suggested that Dowling may have possibly been the ‘William Dowling’ baptised 26 December 1822 at St Mary’s Roman Ca...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.