Finding more examples of the silver brooch with Indigenous motifs that she discussed in our May issue, Christine Erratt delved further into their history. In the National Archives of Australia, Christine uncovered the 1954 design registration applications.
Six different designs, of which five were inspired b...
The late Professor Kenneth Cavill’s article published in Australiana1 identified about 50 spoons of Australian and British manufacture, marking royal
and other occasions, with heraldic motifs, maps of Australia or Tasmania and flora and fauna, made either in factories or in craft workshops. Overlapping almos...
When Yvonne Barber first proposed writing an article about William Frederick Ward, your editor’s response was ‘Who?’ Readers will react the same way, yet W F Ward was involved in the engraving, design and manufacture of silverware for 40 years. He designed the arms of the City of Sydney, won the competiti...
Dianne Byrne shares some of the outcomes of her postgraduate research into 19th-century presentation jewellery and metalwork made in Queensland or for Queenslanders, focusing here on a series of racing trophies made in the 1880s for the Tattersall’s Club Cup run at Eagle Farm racecourse. Two of these were mad...
Thomas Wright (c.1827–1912) may not be a well-known name today, but in early Geelong his shop was a mainstay. As with many other silversmiths and jewellers, little of his work survives, so his name rarely comes up in publications. The recent discovery of a Thomas Wright silver trowel in the Geelong Grammar Sc...
Lieutenant James Cook RN, commanding officer of HMB Endeavour, the renamed collier Earl of Pembroke, sailed on 26 August 1768 from England on a naval and scientific voyage to observe the Transit of Venus, collect natural history specimens and explore the east coast of New Holland. The 250th anniversary of the v...
Prominent colonists or officials returning “home” were often presented with a memento to thank them for their achievements in Australia. These gifts often took the form of an object that was distinctly Australian in its design or materials. Many works have been forgotten or destroyed, so it is a gratifying ...
How do three spoons, two by Sydney silversmith Alexander Dick and a later spoon made in London, come to bear the same crest and initials? Lesley Garrett explores the possibilities.
How things are designed and made should interest all those with a passion for the creative arts. One of our members, Christine Erratt, was involved in the process of designing a new mace for the Australian Catholic University because of the important articles she wrote for Australiana, and another member, W.J. ...
Jolyon Warwick James traces the story of an Australian colonial silver spoon with a name engraved on the stem, and finds a link with a banker who lived and died at Bronte House overlooking one of Sydney’s famous beaches.
During the second decade of the new millennium, many pioneers of the crafts movement in Australia, which began to flourish in the 1970s, will celebrate four decades of working in studio practices with their chosen materials.
The National Gallery of Australia holds a three-piece silver buckle that originally formed the central element of a Champion’s Boxing Belt presented to prize-fighter Isaac Reid in 1847 (plate 1). This remarkable belt was made by Sydney silversmiths J.J. Cohen & Son1 and engraved by John Carmichael. Until rece...
The practice of presenting diplomatic gifts to dignitaries goes back to antiquity. As the much-admired wife of the governor of the colonies of Queensland, New Zealand and Victoria, Diamantina, Lady Bowen received some significant pieces of jewellery and metalwork. These gifts were frequently, and often fulsomel...
John Locksley Kemp, a descendant of Richard Kemp, gave a silver medal, passed down through the Kemp family, to the Powerhouse Museum in 1984. Very little was known about the medal’s history until Karen Eaton came across it by chance while viewing the Museum’s on-line collection database. Also a descendant o...