Vol 37 no 3, Aug 2015
The Australiana Society's Tasmanian tour 2015
By Judy & Ian Higson   |   August 2015   |   Vol 37 no 3

Australiana Society members were privileged to see, touch and experience many and varied treasures on our Tasmanian tour. Here we showcase the welcome and rare opportunities extended to those who participated, and encourage other members to consider creating a future tour showcasing your state or region, offeri...

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Vol 37 no 3, Aug 2015
Book Review: Dorothy Erickson, ‘Inspired by Light’
By Eva Czernis-Ryl   |   August 2015   |   Vol 37 no 3

Published as the first of two hardcover volumes (the second will cover the period from 1950 to now), this is Dr Dorothy Erickson’s most ambitious publishing venture. Exploring the work of designers and makers in Western Australia since the founding of the Swan River Colony in 1829 until 1969, it is her most s...

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Vol 37 no 3, Aug 2015
Book Review: John Maynard, ‘True Light and Shade’
By John Ramsland   |   August 2015   |   Vol 37 no 3

Over the last 20 years or so interest in convict artist Joseph Lycett (1775–1828) has steadily quickened and heightened in Australian popular culture through the influence of various published works and exhibitions. He is now held in high regard by art and cultural historians.

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Vol 37 no 3, Aug 2015
President's Report
By Jim Bertouch   |   August 2015   |   Vol 37 no 3

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Vol 37 no 3, Aug 2015
Treasurer's Report
By Andrew Morris   |   August 2015   |   Vol 37 no 3

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Vol 37 no 3, Aug 2015
Vol 37 no 3, Aug 2015
Richard Batholomew Smith's Wunderkammer
By Andrew Montana   |   August 2015   |   Vol 37 no 3

R.B. Smith made his model of the Strasburg Clock to celebrate the centenary of British settlement. It was hailed as a “scientific triumph of Australian workmanship”. At first, Smith exhibited it privately “like a fat woman in a country fair”1 until it found a home in Sydney’s Technological Museum. The...

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Vol 37 no 3, Aug 2015
Sir Donald Bradman and Withersfield
By Christine E Jackson   |   August 2015   |   Vol 37 no 3

Cricket is in the news with the Ashes being played in England. Sir Donald Bradman (1908–2001) is respected as the world’s best and most famous cricketer, both in Australia and the United Kingdom. His grandfather, Charles Bradman, lived in the small Suffolk village of Withersfield until he emigrated to Austr...

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Vol 37 no 3, Aug 2015
Eureka and Victoria's chair of state
By Robert La Nauze   |   August 2015   |   Vol 37 no 3

In the 19th century, an appropriately draped “chair of state” under a canopy was deployed on formal occasions when the monarch or her vice-regal representative was present. These chairs were conspicuously larger than any surrounding chairs, acknowledging the status of the occupant. Dr La Nauze traces the hi...

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Vol 37 no 3, Aug 2015
Book Review: Robert Purdie, ‘Narrative of the Wreck of HMS Porpoise’
By Paul Donnelly   |   August 2015   |   Vol 37 no 3

Hordern House continues their excellent service in the publication of early colonial history by releasing Robert Purdie’s Narrative of the Wreck of HMS Porpoise hot on the heels of Elizabeth Ellis’s book on The Sydney Punchbowl in the Mitchell Library. Here the subject is a first-hand description of the fou...

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Vol 37 no 3, Aug 2015
Book Review: David Kelly, ‘Convict and Free’
By John Wade   |   August 2015   |   Vol 37 no 3

David Kelly sets out in this book to chart the history of 100 or so master cabinet-makers working in New South Wales up to 1850. His introduction discusses that bland sentence in some detail, meticulously defining those terms and the parameters of his research. Then Kelly outlines the structure of the book, sou...

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Vol 37 no 2, May 2015
From the editor
By    |   May 2015   |   Vol 37 no 2

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Vol 37 no 2, May 2015
Adrian Feint's flowers and fishermen: the Lesley Godden collection
By Catriona Quinn   |   May 2015   |   Vol 37 no 2

A collection of flower paintings by Adrian Feint, belonging to his friend and fishing companion Les Godden, came to light last year when they were sold at auction. Catriona Quinn researches the background of this collection, the work of Adrian Feint and his artistic friendships.

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Vol 37 no 2, May 2015
Finding Firnhaber treasures
By Trevor Hancock   |   May 2015   |   Vol 37 no 2

Colonial Australian jewellery is rarely marked with the name of its maker or retailer. Perth jewellery dealer Trevor Hancock sticks his neck out and attributes several pieces to the German-born Adelaide jeweller C. E. Firnhaber, based on stylistic similarities of the works. All of them are illustrated here.

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Vol 37 no 2, May 2015
A chance beginning: the Lyons collection of decorative art
By John Wade   |   May 2015   |   Vol 37 no 2

The Art Gallery of South Australia is showcasing for the first time over 50 examples of Australian decorative arts given to the Gallery by Adelaide psychiatrist Dr Robert Lyons, who had assembled one of the finest private collections of South Australian decorative arts.

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Vol 37 no 2, May 2015
Backchat
By David Kelly and Brian McHenry   |   May 2015   |   Vol 37 no 2

The first update to my book Convict and Free: the Master Furniture-makers of NSW 1788–1851 will be available on CD in December, with at least two new chapters, on Thomas Mercer Booth and John McMahon. However, Australiana members may be interested to learn now that a reader from Ireland has provided me with d...

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Vol 37 no 2, May 2015
Lady Bowen's Irish harp brooch - a missing piece of Queensland colonial jewellery
By Dianne Byrne   |   May 2015   |   Vol 37 no 2

The practice of presenting diplomatic gifts to dignitaries goes back to antiquity. As the much-admired wife of the governor of the colonies of Queensland, New Zealand and Victoria, Diamantina, Lady Bowen received some significant pieces of jewellery and metalwork. These gifts were frequently, and often fulsomel...

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Vol 37 no 2, May 2015
A rare Feint format: "Shells" designed and painted 1947 for "Jo" Fakhry
By Megan Martin   |   May 2015   |   Vol 37 no 2

This soft-paste porcelain mug, 8.7 cm high and 9 cm diameter, is painted in overglaze enamels on a Wedgwood “Barlaston” blank dated 1947. Feint’s choice of this Wedgwood form, together with the incorporation of the date 1947 and the letters J F as key elements in the design, suggests an awareness of the n...

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Vol 37 no 2, May 2015
Wartime quilts
By Annette Gero   |   May 2015   |   Vol 37 no 2

World War I began 101 years ago. Galleries all around the world, including many in Australia, are having exhibitions with memories of this war. The Gallipoli campaign is particularly significant to Australians and New Zealanders this year, with the centenary on the first landing on 25 April 1915, and the withdr...

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Vol 37 no 1, February 2015
Backchat
By Christine Erratt, Bob Fredman, and Jill Roy   |   February 2015   |   Vol 37 no 1

On 1 January 2014, the University of Ballarat and the Gippsland campus of Monash University amalgamated to form Federation University Australia. The ceremonial mace formerly used at the University of Ballarat is currently in use as the ceremonial mace for the new university... It was not John [Joseph] Thomas Ha...

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Vol 37 no 1, February 2015
The Ashes bail
By Tom Thompson   |   February 2015   |   Vol 37 no 1

The Ashes! Is it a bail, or a veil? Tom Thompson looks at a hidden treasure from Australia’s sporting history.

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Vol 37 no 1, February 2015
Reminders of the Great War
By Lesley Garrett   |   February 2015   |   Vol 37 no 1

The centenary of the First World War has Lesley Garrett bringing out her family’s mementoes of “the war to end all wars” – and regretting the loss of their context.

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Vol 37 no 1, February 2015
James Semple Kerr, Miriam Hamilton and David Ell

Some people are or have been particularly influential in the development of appreciation and understanding of our heritage in Australia. Here we pay tribute to three individuals who contributed significantly, each of them in different ways, and who will be sadly missed both personally and professionally.

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Vol 37 no 1, February 2015
The Fereday service
By Susan Knop and Michel Reymond   |   February 2015   |   Vol 37 no 1

The Fereday service is a rare example of armorial porcelain tableware relating to colonial Australia, bearing the name, position and crest of the owner Dudley Fereday, first Sheriff of Van Diemen’s Land (1823–33) (plate 1). Although none of the surviving pieces bears a mark identifying the manufacturer, the...

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Vol 37 no 1, February 2015
John Jardine in Australia
By Christine E Jackson   |   February 2015   |   Vol 37 no 1

After a short career in the British army, John Jardine, the youngest brother of the eminent Scottish ornithologist Sir William Jardine, in 1839 decided to emigrate to Australia. In 1861, he served as a police magistrate and gold commissioner at Rockhampton, then became a pioneer settler at Somerset on Cape York...

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Vol 37 no 1, February 2015
Book Review: Blamire Young
By Lesley Garrett   |   February 2015   |   Vol 37 no 1

Author Stephen Marshall is to be congratulated on writing this carefully compiled compendium of (William) Blamire Young’s watercolours, for while in his own words he is a passionate art lover, he modestly refutes being an expert on art history. Nevertheless, over 650 pages he has assembled an impressive catal...

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Vol 37 no 1, February 2015
Book Review: Jewels on Queen
By John Wade   |   February 2015   |   Vol 37 no 1

In 1970, Anne Schofield opened the first shop in Australia dealing exclusively in antique jewellery (in Queen Street, Woollahra, hence the book title) and has been dealing from there ever since. She is well-known from her appearances at fairs and in the media, for her support foreword which introduces the reade...

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Vol 36 no 4, November 2014
From the President
By Jim Bertouch   |   November 2014   |   Vol 36 no 4

Australiana magazine has been presenting important information and original research about Australian decorative arts and heritage for 36 years, and is now the leading publication in the field. While we promised a bumper issue in November, I can now announce an even better alternative – our first monograph, t...

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Vol 36 no 4, November 2014
Gold Rush jewellers of Melbourne and Dunedin: Wagner & Woollett, Lamborn & Wagner and Wollett and Hewitt
By Michel Reymond   |   November 2014   |   Vol 36 no 4

Jewellers William Lamborn, Leopold Wagner and Samuel Woollett all arrived at Melbourne in the first few years after the discovery of gold in Victoria in 1851. Recent research has uncovered new information on these jewellers and their firms – Wagner & Woollett, Lamborn & Wagner and Woollett & Hewitt. The new i...

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Vol 36 no 4, November 2014
Miss Purnell's wildflower screen
By Lesley Brooker   |   November 2014   |   Vol 36 no 4

Another of the talented women artists who came to the colony of Western Australia was Annie Purnell. She was not a professional artist, but the “Angel in the House” for her bachelor brother, the Anglican minister the Reverend Robert Purnell. As was typical of gentlewomen of the time, she would have been tra...

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Vol 36 no 4, November 2014
A ‘Poket Time Keeper’, John Arnold, Joseph Banks and Constantine John Phipps
By John Hawkins   |   November 2014   |   Vol 36 no 4

In the 18th century, a time keeper that would keep accurate time at sea was essential to find longitude. Britain’s Board of Longitude offered a massive prize of £20,000 for the inventor of such a device, contributing to major advances in timekeeping. John Hawkins argues that a time keeper by London watchmake...

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Vol 36 no 4, November 2014
A Fine Possession: jewellery and identity, Powerhouse Museum Sydney
By Dorothy Erickson   |   November 2014   |   Vol 36 no 4

This spectacular exhibition of jewellery spanning cultures and millennia is billed as the most ambitious jewellery exhibition the Powerhouse Museum (part of the Museum of Applied Arts and Sciences) has ever staged. With 700 exhibits drawn from public and private collections across Australia, it takes several vi...

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Vol 36 no 3, August 2014
A Berlin woolwork picture
By Margaret Carlisle   |   August 2014   |   Vol 36 no 3

tracing the provenance of a Berlin woolwork picture now held in the Powerhouse Museum led to information about the involvement of the Agricultural society of New south Wales in setting up the 1870 Exhibition in sydney, a bronze medal awarded at that event, the winner of the medal and maker of this extraordinary...

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Vol 36 no 3, August 2014
Annual dinner and lecture 2014
By Paul Donnelly   |   August 2014   |   Vol 36 no 3

A beautiful late summer’s evening greeted guests to the 2014 Annual Australiana Dinner held this year in the junior common room of Edmund Blacket’s splendid mid-1850s neo-gothic building, St Paul’s College, at the University of Sydney. One of the first university colleges to be built in Australia, the san...

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Vol 36 no 3, August 2014
Taking tea in the colonies
By Jim Bertouch   |   August 2014   |   Vol 36 no 3

Tea drinking, that very British and colonial habit, is ingrained in our Australian culture and regarded by many as an essential daily ritual. tea is cheap and plentiful today, but this was not always the case.

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Vol 36 no 3, August 2014
Joseph Hamblin, cabinet-maker and piano maker
By Dorothy Erickson   |   August 2014   |   Vol 36 no 3

dorothy erickson’s research for her new book Inspired by Light and Land: Designers and Makers in Western Australia 1829–1969 has uncovered more information about objects made in Western Australia and their makers. Her previous articles published in Australiana on Amy Harvey, William Howitt, Charles May and ...

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Vol 36 no 3, August 2014
A.S. Trood, a silver medal and Belle Vue Hall School
By Karen Eaton   |   August 2014   |   Vol 36 no 3

John Locksley Kemp, a descendant of Richard Kemp, gave a silver medal, passed down through the Kemp family, to the Powerhouse Museum in 1984. Very little was known about the medal’s history until Karen Eaton came across it by chance while viewing the Museum’s on-line collection database. Also a descendant o...

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Vol 36 no 3, August 2014
Book review: Jean Fornasiero & John West-Sooby, 'French Designs on Colonial New South Wales'
By Prof. John Ramsland   |   August 2014   |   Vol 36 no 3

A lengthy title, but for a magnificently appointed book. It not only provides a translation of Péron’s memoir for the first time, but insightfully explores every relevant nook and cranny of colonial history of the period. The book is considerably enhanced by art works and contemporary maps, particularly thos...

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Vol 36 no 3, August 2014
Book review: Jenny Cullen, 'Sir Charles Lloyd Jones'
By Silas Clifford-Smith   |   August 2014   |   Vol 36 no 3

There are many fine artists who barely rate a mention in the history of Australian art, so it was gratifying to read a long overdue biography of Charles Lloyd Jones (1878–1958). Jones is best known today as the Managing Director of David Jones department store during its boom times in the first half of the la...

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Vol 36 no 3, August 2014
Book review: Kevin Power, 'John Campbell Pottery'
By Tim Cha   |   August 2014   |   Vol 36 no 3

Produced from its premises in Launceston, Tasmania, Campbell’s pottery products were shipped to shops and agents in Tasmania, mainland Australia, New Zealand and as far as India and the USA. Examples can be found regularly at antique shops and auction rooms throughout Australia. The vast majority of pieces av...

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Vol 36 no 2, May 2014
The Australiana Society Canberra Centenary Members' Tour 2013
By Judy & Ian Higson   |   May 2014   |   Vol 36 no 2

The Australiana Society Canberra Centenary Members’ Tour conducted from 5-8 September 2013 was extremely successful and thoroughly enjoyed by all who participated. It was superbly organised and led by committee member Lesley Garrett, assisted by Dr Paul Donnelly, another committee member.

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Vol 36 no 2, May 2014
A South Australian colonial wax relief by Josef David Herrgott (1823-61)
By Gary Morgan   |   May 2014   |   Vol 36 no 2

Gary Morgan’s research into this recently rediscovered colonial wax relief, reported here for the first time reveals it to be an important relic and memento of the early exploration of South Australia.

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Vol 36 no 2, May 2014
A colonial Grecian library table
By Warwick Oakman   |   May 2014   |   Vol 36 no 2

An early colonial library table in the neo-classical style, with a maker’s label for Clarke of Castlereagh Street, Sydney, c. 1835, came to light in a distressed state a decade ago. Warwick Oakman ponders who might have made the table, where such an impressive piece of furniture might originally have been use...

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Vol 36 no 2, May 2014
Hilda Rix Nicholas: a cosmopolitan artist in 1920s Sydney
By Julie Petersen   |   May 2014   |   Vol 36 no 2

Hilda Rix Nicholas was one of Australia’s most successful international artists. When she returned to Australia in 1918, she brought her magnificent paintings infused with post- impressionist light and colour to a generation of young Australian artists, yet her triumphant homecoming had been marred by the los...

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Vol 36 no 2, May 2014
Australiana Society Annual Reports 2013

Our first event after the last AGM was the show-stopping evening at the Mitchell Library to view the Macquarie collector’s chest, the Dixson collector’s chest and the Wallis album with Elizabeth Ellis and Richard Neville. This was one of the very best events that I can remember, with the unique opportunity ...

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Vol 36 no 1, February 2014
A ‘Grecian’ colonial chair'
By John D Watkins   |   February 2014   |   Vol 36 no 1

We all relish finding an unrecognised treasure in an out-of-the-way place. John Watkins discusses a chair bought at a country auction, and suggests that, during its 185 years, it may have travelled all the way from Woolley’s workshop in Hobart to the little village of Wooli in northern NSW.

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Vol 36 no 1, February 2014
Australian cartography: a numismatic perspective
By Peter Lane   |   February 2014   |   Vol 36 no 1

For centuries, coins and medals have depicted maps of Australia, although rarely if at all have they been studied by scholars. Perhaps this is because of their limited contribution to cartography, as they were used mainly in a political sense. Perhaps collectors and academics are simply unaware of their existen...

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Vol 36 no 1, February 2014
A Venetian gondola on Farm Cove?
By Megan Martin   |   February 2014   |   Vol 36 no 1

Colouring photographs by hand added to the attraction of black and white photographs in the 19th century. An 1870s view of Government House from across Farm Cove in Sydney Harbour not only has been coloured, but the artist has added some extra touches, including a gondola cruising off the Governor’s residence...

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Vol 36 no 1, February 2014
Book review: Elizabeth Ellis, 'The Sydney Punchbowl'
By John Wade   |   February 2014   |   Vol 36 no 1

Hordern House commissioned Elizabeth Ellis OAM, the Emeritus Mitchell Librarian, to research the background to the Chinese export porcelain punchbowl in the Mitchell Library showing scenes of the colony about 1814.

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Vol 36 no 1, February 2014
‘dear Emily’ in Western Australia
By Dorothy Erickson   |   February 2014   |   Vol 36 no 1

Former Prime Minister Julia Gillard, in her misogyny speech on 9 October 2012, was not the first to react to men allegedly putting down women’s activities. A century ago, English designer and artist C R Ashbee – his business damaged by low-priced competition from amateur women artists – condescendingly re...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.