Search results for 'Robert La Nauze'

Vol 44 no 4, Nov 2022
President’s Update
By Colin Thomas   |   November 2022   |   Vol 44 no 4

Thank you to the members who attended the 2022 Annual General Meeting in person or via zoom. Thank you also for the show of support to me as President and to the other Directors who were elected.

I particularly thank Peter Crawshaw for his nomination and subsequent election to the Secretary’s position. Ly...

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Vol 44 no 4, Nov 2022
William Knox D'Arcy: Art Collector and Patron
By Dianne Byrne   |   November 2022   |   Vol 44 no 4

William Knox D’Arcy (1849–1917) is remembered today as an indefatigable adventurer, who through financial daring and
extraordinary good fortune, became the ‘founder’ of the modern oil industry in the Middle East. However, there is another
facet to his life, as the ex-Rockhampton solicitor who became a...

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Vol 44 no 4, Nov 2022
I Opine it’s a ‘Pine’
By R A Fredman   |   November 2022   |   Vol 44 no 4

From the foundation of the colonies, local cabinetmakers experimented with using the wide range of native timbers. Bob Fredman discusses a chest of drawers, most likely made about 1900 in Bundaberg, Queensland and probably by a local cabinet maker of Germanic heritage, who liked to use contrasting timbers with ...

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Vol 44 no 4, Nov 2022
The Paris Exposition Universelle, the Suez Canal and a Gold Sphinx Brooch
By John Hawkins   |   November 2022   |   Vol 44 no 4

November 2022 marks the centenary of the discovery of the virtually intact tomb of King Tutankhamun, who reigned from about 1332 to 1323 BC. The pharaoh’s burial goods created a worldwide sensation focussed on ancient Egypt, which has long fascinated Europeans, partly because of its Biblical connections and p...

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Vol 44 no 4, Nov 2022
Queensland to a T Collection and Exhibition, State Library of Queensland
By Peter Spearritt   |   November 2022   |   Vol 44 no 4

Prodigious Australiana contributor Glenn R. Cooke is well known through his professional interests in Queensland art, decorative arts and social history. But that does not define Glenn; he loves ballroom dancing and gardens, as well as pursuing a sideline in collecting artefacts relating to his home stat...

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Vol 44 no 4, Nov 2022
H.A. Nielsen, Art Cabinet Maker, of Port Douglas, North Queensland
By John Wade   |   November 2022   |   Vol 44 no 4

Many colonial woodworkers, often trained in Britain or Europe, came to Australia and discovered the vast variety of native timbers suitable for carving or for making furniture and timber articles. Jewellery ‘book boxes’ made from several contrasting North Queensland timbers and bearing the stamp of ‘H.A. ...

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Vol 44 no 4, Nov 2022
Mary Jones: a Mysterious Artist in Queensland
By Timothy Roberts   |   November 2022   |   Vol 44 no 4

Brisbane painter and art teacher Mary E. Jones has escaped recognition for 130 years. She would not be alone in that fate: over time, many aspiring painters and their works disappear from history. Timothy Roberts reveals some details about Miss Jones’s career and her impact as a woman artist in Brisbane betwe...

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Vol 44 no 4, Nov 2022
Above the Trenches? Cast-metal Aeroplanes of the 1940s
By Peter Hobbins   |   November 2022   |   Vol 44 no 4

Polished-brass and chrome-plated aeroplanes were popular World War II mementoes – but how were they made and why did they take off in Australia?

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Vol 44 no 4, Nov 2022
Considering a Curious Carving
By Glenn R Cooke   |   November 2022   |   Vol 44 no 4

Artists draw inspiration from many sources. Glenn Cooke examines at how a 20th-century Queensland wood carver took his design inspiration from an historical French pottery plaque some 400 years old, finding what seems to be the exact example he used.

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Vol 44 no 3, Aug 2022
Book reviews
By Anne-Marie Van de Ven and Michael Lech   |   August 2022   |   Vol 44 no 3

BOOK REVIEW BY MICHAEL LECHRuth Lane Poole: a woman of influence. Canberra Museum and Gallery, 2021, 58 pages. BOOK REVIEW BY ANNE-MARIE VAN DE VENChristine Stewart,
Collits’ Inn: Uncovering the Past, Tellwell, Australia 2021 
ISBN 978-0-2288-3720-6

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Vol 44 no 3, Aug 2022
President’s Update
By    |   August 2022   |   Vol 44 no 3

It is indeed pleasing to see members honoured for their services to the community. In the 2022 Queen’s Birthday Honours, Mrs Phyllis Murphy of Melbourne and Mr Alan Landis of Sydney were recognised with Member of the Order of Australia (AM) and Medal of the Order of Australia (OAM) respectively. Both richly d...

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Vol 44 no 3, Aug 2022
An American in the East
By John Wade   |   August 2022   |   Vol 44 no 3

In America as in England, tea drinking became highly fashionable in the 18th century. The duty imposed on tea imported into Britain’s North American colonies became a catalyst for revolution, highlighted by the Boston Tea Partyin 1773. Many discrete meetings of revolutionaries were fuelled by nothing more inc...

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Vol 44 no 3, Aug 2022
H C Simpson and his popular art
By Glenn R Cooke   |   August 2022   |   Vol 44 no 3

While the artist H. C. Simpson (1879–1966) depicted subjects such as Mount Warning in northern NSW, his output is emphatically linked with the early years of the ‘Gold Coast’ and specifically the resort towns of Coolangatta, Currumbin and Tweed Heads. Although his work is not held in particularl...

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Vol 44 no 3, Aug 2022
Early school samplers from Van Diemen’s Land
By Nicola Kissane   |   August 2022   |   Vol 44 no 3

As part of their education in useful arts, schoolgirls sewed their own individual samplers, which are also important indicators of progress in educational methods and reach. The format is fairly standard, with the letters of the alphabet in either or both lower and upper case and basic numbers, plus the gi...

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Vol 44 no 3, Aug 2022
Thomas Griffiths' book box construction
By David Bedford   |   August 2022   |   Vol 44 no 3

Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw
a new business opportunity and opened a sawmill at...

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Vol 44 no 3, Aug 2022
Designs by Murdoch at the House of Georges
By James Stanton   |   August 2022   |   Vol 44 no 3

Fashion designer Margaret Murdoch (1912–1999) has been eclipsed by other members of the Murdoch family. In 1938 she went to London to gain experience in fashion design. Her move to the fashion capital of Paris on the eve of World War II led to disruption of her career path, with two stints of internment ...

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Vol 44 no 3, Aug 2022
Splayds – ‘the runcible spoon that captivated the world’
By Yvonne Barber   |   August 2022   |   Vol 44 no 3

Invented in 1948 and manufactured 'from the early 1950s, Splades or Splayds were a favourite gift for shower teas, weddings and Mothers’ Day in 1960s and 1970s Australia. We were vaguely aware that they might be an Australian innovation, but that wasn’t part of their advertising – they were prom...

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Vol 44 no 3, Aug 2022
Thomas Griffiths, a Queensland woodworker
By John Wade   |   August 2022   |   Vol 44 no 3

Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw a new business opportunity and opened a sawmill at Wy...

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Vol 44 no 2, May 2022
Australiana Society Sydney Basin Tour, March 2022
By Peter Crawshaw   |   May 2022   |   Vol 44 no 2

Numbers were limited on the NSW Branch’s recent successful tour of the Sydney Basin, so one of the organisers, Peter Crawshaw, reports on it for members who were not able to take part in person, especially those who live outside Sydney. Colonial furniture collector Bob Fredman was honoured to be asked to give...

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Vol 44 no 2, May 2022
Madame Henry, Juliette Lebeau-Lopes-Rastoul-Henry
By Yvonne Barber   |   May 2022   |   Vol 44 no 2

Visions of a Republic. The work of Lucien Henry, the lavishly illustrated 2001 book produced for an exhibition on the designs and art of Lucien Henry (1850–1896), devotes more words to describing a photograph of the couple’s apartment in Darlinghurst (plate 1) than it does to describing his wife Juliette. Y...

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Vol 44 no 2, May 2022
Saving Currajong
By Jillian Dwyer   |   May 2022   |   Vol 44 no 2

Many buildings in Australia have been recognised for their architectural or historical significance, or their association with important individuals. Some have been preserved, and some have not. Jillian Dwyer relates the story of Currajong in Melbourne’s east, the Italianate villa built by the prominent colon...

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Vol 44 no 2, May 2022
King Albert’s ‘Birthday Book’
By John Wade   |   May 2022   |   Vol 44 no 2

After Albert I King of the Belgians refused safe passage to Kaiser Wilhelm’s troops to attack France, Germany invaded neutral Belgium on 4 August 1914. Britain, bound by an 1839 treaty to support Belgium’s neutrality, declared war on Germany the same day. Australian Prime Minister Joseph Cook offered his go...

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Vol 44 no 2, May 2022
Breaking the mould
By Robert Griffin   |   May 2022   |   Vol 44 no 2

Wet conditions in humid climates, and especially with the recent floods in eastern Australia, exacerbate the problem of household damp and mould. For collectors, this is likely to affect sensitive items, such as furniture and works of art on paper. So remember to check your collection regularly, and follow some...

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Vol 44 no 2, May 2022
President’s update
By Colin Thomas   |   May 2022   |   Vol 44 no 2

What an outstanding event the Sydney Basin Tour proved to be! While I have detailed this verbally and via personal email, it would be completely remiss of me not to publicly thank Robert Hannan, Peter Crawshaw, Andy Simpson and Tim Cha for their outstanding efforts in planning and delivering a wonderful event. ...

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Vol 44 no 2, May 2022
The tomb of Father Receveur and the La Pérouse Monument at Botany Bay
By Peter G Towson   |   May 2022   |   Vol 44 no 2

Two paintings of the Tomb of Father Receveur and the La Perouse Monument at Botany Bay by F. C. Terry mark the end of a significant episode in the exploration and scientific research of the Pacific in the late 18th century, extending from the arrival of the First Fleet at Botany Bay in January 1788 to the great...

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Vol 44 no 2, May 2022
Looking for Paintings on Gum Leaves
By    |   May 2022   |   Vol 44 no 2

Paintings on gum leaves are a unique Australian tradition, which began in the 1850s or 1860s and still continues today. The earliest practitioner recorded is Arthur William Eustace (1820–1907), who was born in England and arrived in Victoria with his family in 1851. He found work as a shepherd near Chiltern i...

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Vol 44 no 1, February 2022
Book reviews
By    |   February 2022   |   Vol 44 no 1

JOURNAL REVIEW BY DR ROSS JOHNSTON, Queensland History Journal, vol. 24, no. 11, November 2021, (Journal of The Royal Historical Society of Queensland); BOOK REVIEW BY DR LINDA YOUNG, Fringe, Frog & Tassel: The Arts of the Trimmings-Maker in Interior Decoration. By Annabel Westman; BOOK REVIEW BY DR DAVID BEDF...

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Vol 44 no 1, February 2022
Trevor John Kennedy AM 24.6.1942 – 28.11.2021
By Lesley Garrett, Anne Schofield & John Hawkins   |   February 2022   |   Vol 44 no 1

Lesley Garrett, a long-standing family friend, fondly recalls Trevor Kennedy's life and passion for collecting, amassing the most important collection of Australian decorative arts ever assembled... Anne Schofield, the source of much of the spectacular jewellery acquired for his collection, has her own distinct...

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Vol 44 no 1, February 2022
Rosa Fiveash’s Quarantine Camp 1919: a not so new ‘normal’
By Jo Vandepeer   |   February 2022   |   Vol 44 no 1

A small watercolour painting reveals remarkable similarities between the 1919 pandemic and that of our times.

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Vol 44 no 1, February 2022
Henning Rathjen: Victorian art potter 1948–1968
By Anne Johnson & Anthony Armstrong   |   February 2022   |   Vol 44 no 1

In the aftermath of World War II, many commercial potteries were established in Australia to satisfy the market disrupted by hostilities, particularly for Japanese and European imports. While some of these new commercial potteries were established by immigrants from war-ravaged Europe, Henning Alfred Rathjen (1...

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Vol 44 no 1, February 2022
Through the looking glass – identifying W. H. Rocke & Co’s second Melbourne International Exhibition 1880 drawing-room cabinet
By Andrew Montana   |   February 2022   |   Vol 44 no 1

Objects and art shown at international exhibitions always attract a premium. Often, they really were ‘showpieces’, specially made to demonstrate the maker’s skills, ability and cutting-edge design. Three room suites of W. H. Rocke’s furniture displayed at the prestigious Melbourne International Exhibiti...

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Vol 44 no 1, February 2022
Teaching artists by copying the Masters
By David Hansen   |   February 2022   |   Vol 44 no 1

In the Middle Ages and Renaissance, workshop and guild traditions were based on the principle of emulation, with apprentices learning by copying the works of their masters. In painting, the practice was gradually regularised and systematised in the curricula of emergent national academies of art, beginning at t...

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Vol 44 no 1, February 2022
Jack and Achilles: a classical source for Benjamin Duterrau’s Native taking a Kangaroo?
By David Hansen   |   February 2022   |   Vol 44 no 1

Artists in early Australia were usually trained in Britain and Europe in the Classical tradition going back to ancient Greece and Rome. David Hansen explores the possibility that, in the composition of his paintings created in Van Diemen’s Land, Benjamin Duterrau was influenced by Renaissance and Classical mo...

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Vol 44 no 1, February 2022
John Glover through the Claude Glass
By Glynnis Stevenson   |   February 2022   |   Vol 44 no 1

English painter John Glover once owned two Italian landscapes by the French painter known as Claude Lorrain. Claude's work prompted artists and tourists to view landscape in terms of art, so they would often look at 'Picturesque' scenery reflected in a tinted convex mirror known as a ‘Claude glass’, simulat...

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Vol 44 no 1, February 2022
Peter Walker Fine Art Writing Award 2021
By Megan Martin   |   February 2022   |   Vol 44 no 1

Peter Walker Fine Art established our annual Writing Award in 1999 to encourage writing for Australiana. At that time Australiana was a 32-page magazine, stapled, with three to five articles and a few black-and-white illustrations per issue. Twenty-two years on, the award has achieved its objectives. The Austra...

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Vol 44 no 1, February 2022
President’s Update
By    |   February 2022   |   Vol 44 no 1

I trust all members had an enjoyable festive season with the family and friends they were fortunate enough to be able to see. As I have stated all too often, COVID never ceases to amaze with the number of twists and turns it continues to deliver. Who would have ever thought that, with the vaccination levels mos...

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Vol 43 no 4, November 2021
Australiana Society tours 2021: Ballarat and Camperdown Tour
By Robert Stevens   |   November 2021   |   Vol 43 no 4

Australiana Society members visited the Ballarat region of Victoria in May, as part of a tour carefully planned by Victorian branch chair Robert Stevens. Luckily, it fell into a gap between COVID lockdowns, and gave members from several states a chance to get out, mingle and enjoy what the Victorian Central Gol...

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Vol 43 no 4, November 2021
Australiana Society tours 2021: Bathurst Heritage Weekend
By John Wade & Yvonne Barber   |   November 2021   |   Vol 43 no 4

Postponed several times due to Covid-19 restrictions, our plans for a visit to Bathurst in the NSW Central Tablelands, lands of the Wiradyuri Nation, finally came to fruition from 30 April to 2 May 2021, with the maximum
50 participants from five states taking part. Others were unable to attend for fear of not...

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Vol 43 no 4, November 2021
Book reviews
By Claire Blakey & Nat Williams   |   November 2021   |   Vol 43 no 4

Petra ten-Doesschate Chu and Max Donnelly with Andrew Montana and Suzanne Veldink, Daniel Cottier: Designer, Decorator, Dealer.
Paul Mellon Centre for Studies in British Art, Yale University Press, New Haven CT 2021. Hard cover,
256 pp, 200 illustrations, Booktopia price $59 plus postage.
Philip...

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Vol 43 no 4, November 2021
‘Royal memories of Canberra’; repatriating the Duke of Gloucester’s 1946 collection Scenes of Canberra by John Eldershaw
By Sam Nichols   |   November 2021   |   Vol 43 no 4

John Roy Eldershaw (1892–1973) was a landscape artist who worked primarily in watercolours. During his lifetime, he
was proclaimed to be ‘destined to leave unmistakable footprints in the sands of time’. In 1973 Sir Erik Langker, the arts administrator and influential member of
the Sydney arts establishm...

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Vol 43 no 4, November 2021
Australian flora and fauna on silver spoons 1971–2021
By Christine Erratt   |   November 2021   |   Vol 43 no 4

The late Professor Kenneth Cavill’s article published in Australiana1 identified about 50 spoons of Australian and British manufacture, marking royal
and other occasions, with heraldic motifs, maps of Australia or Tasmania and flora and fauna, made either in factories or in craft workshops. Overlapping almos...

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Vol 43 no 4, November 2021
The use of Australian tulip wood in Australian furniture and boxes
By David Bedford   |   November 2021   |   Vol 43 no 4

Decorative timber inlay work became popular in British and European furniture and other wooden items in the 18th century. European exploration of the so-called New World tropics and subsequent colonisation gave access to a greatly increased range of superb cabinet timbers. Cabinetmakers initially concentrated o...

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Vol 43 no 4, November 2021
Meshach Stevens, artist, painter and tradesman
By Robert Stevens   |   November 2021   |   Vol 43 no 4

Between arriving in Hobart Town as a convict on 3 August 1831 and the last evidence of his residing in Van Diemen’s Land in 1847, Meshach Stevens painted a very competent copy of a famous print after William John Huggins titled Northern Whale Fishery, published in London in 1829 (plate 1).1 For almost ...

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Vol 43 no 4, November 2021
Queensland 1859 Secession’ pottery medals
By Geoff Ford   |   November 2021   |   Vol 43 no 4

Glen went on to tell us, in a joking manner, that he had made these fake 1859 Secession Medals in 1977 for fun in the hope of making some money while he was a student working in the Visual Arts department at the Darling Downs Institute of Advanced Education in
Toowoomba (now the University of Southern Queensla...

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Vol 43 no 3, August 2021
Book Reviews
By    |   August 2021   |   Vol 43 no 3

BOOK REVIEW BY ANNE-MARIE VAN DE VEN Gavin Fry, Havekes Painter, Sculptor, Ceramicist, Beagle Press, Canberra 2020. Hardcover, 168 pp, 32.5 x 27.5 cm, ISBN 987-0-947349-63-9, RRP $99. 
BOOK REVIEW BY PETER LANE Justin Gare, Donald Leslie Johnson and Donald Langmead, Colonial Vision Adelaide Kingston &am...

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Vol 43 no 3, August 2021
‘Angels in the Studio’ in Western Australia part 4: Those who stayed
By Dorothy Erickson   |   August 2021   |   Vol 43 no 3

Dr Erickson concludes her story of the professional women artists who commenced working in Western Australia before World War I. All were born in South Australia or England, coming to Western Australia later, most as young adults and often with other family members. Their careers began in the heady years of the...

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Vol 43 no 3, August 2021
Allen Duckworth, woodworker and native timbers crusader
By Yvonne Barber & John Wade   |   August 2021   |   Vol 43 no 3

In the preceding article, David Bedford identified four Australian manufacturers of cribbage boards: Grose Manufacturing Co of Brisbane; Clipsal, a brand name of Gerard Industries in Adelaide; John Sands & Co, founded in Sydney as Sands & Kenny in 1851; and Crown Mulga made by A.W.G. Davey & Sons Lt...

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Vol 43 no 3, August 2021
Australian cribbage boards – an affordable collectable
By David Bedford   |   August 2021   |   Vol 43 no 3

Both plain and novelty cribbage boards have been produced around the world for about 400 years. Australian-made cribbage boards can only be post–1788 and at this stage I know of no boards dating before the early 1800s, though very plain boards are difficult to date accurately. By the mid-19th century, many no...

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Vol 43 no 3, August 2021
The Ransom sampler
By Carol Bacon   |   August 2021   |   Vol 43 no 3

A sampler, and the von Stieglitz family Bible in which it was kept for many years, were sold at auction in Launceston in 2016. The sampler consists of stitching on a square of linen cloth 6 inches (15.2 cm) in width by 61⁄2 inches (16.5 cm) in length, edged with blue ribbon (plate 1). The stitches used are la...

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Vol 43 no 3, August 2021
Victoria’s earliest potteries
By Gregory Hill   |   August 2021   |   Vol 43 no 3

Greg Hill’s new research, using contemporary newspapers and other resources now easily available on Trove, has found a raft of previously unknown potteries operating in Victoria in the 19th century. These push back the dates of Victorian pottery manufacture into the 1840s. Many examples of these wares however...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.