An exploration into the construction and history of an early, distinctively veneered chest of drawers from Tasmania reveals that it has a twin. E.J. Bateman presents the evidence of the two chests' provenance, noting the 'broad arrow' Government inventory marks, and suggests that they were made by convict cabin...
Recycling ain’t what it used to be. Launceston clock and watch experts Graham and Sallie Mulligan came across a tapestry
footstool which their sharp eyes recognised as comprising re-used parts of an old clock. Further investigation revealed that the
parts came from a sign...
Petra ten-Doesschate Chu and Max Donnelly with Andrew Montana and Suzanne Veldink, Daniel Cottier: Designer, Decorator, Dealer.
Paul Mellon Centre for Studies in British Art, Yale University Press, New Haven CT 2021. Hard cover,
256 pp, 200 illustrations, Booktopia price $59 plus postage.
Philip...
Continuing our story of the women artists who worked in Western Australia,1 we examine the careers of those who exhibited in the Paris and Glasgow international exhibitions at the turn of the century – when Western Australia was in the midst of a Gold Rush. While Lady Forrest’s work was exhibited in a separ...
In 2018, Dr Andrew Montana restored William Joseph Williams (1851–1918) as the artist responsible for the late 19th-century painted decoration in South Australia at Ayers House, the Museum of Economic Botany, Rigby’s bookshop, Trew’s South Australian Club Hotel and probably Para Para.1 Now the artist’s ...
On a beautiful summer’s afternoon, 85 members from Brisbane, Melbourne, Sydney, Hobart and northern Tasmania attended the Tasmanian Branch’s 2020 opening event, an ‘At Home’ at Clairville (plate 1) near Evandale, courtesy of the owners, Michael McWilliams and Robert Henley (plates 2-3). The event on 22 ...
Brothers Graham and William Ferry both trained as potters in Yorkshire, emigrated to Victoria and set up their own potteries in Melbourne’s Brunswick in the last two decades of the 19th century. Noted for their sculptural domestic wares and colourful majolica wares, here Greg Hill makes the case for recognisi...
At our request, Sydney researcher Yvonne Barber put down some thoughts to help you (and me) improve our knowledge and techniques for researching Australiana, using the November 2018 article on Adelaide painter and decorator W J Williams as an example.
At a heritage conference in Adelaide in 2015, Dr Donald Ellsmore attributed the superb interior decoration at Adelaide’s Ayers House and Gawler’s Para Para in South Australia to the Sydney decorating firm of Lyon, Cottier & Co. and their employee Charles Gow, purely on speculation. Till now, his opinion has...
Beleura, the house and garden on the Mornington Peninsula on the southern shore of Port Phillip Bay, is an estate left to the people of Victoria by John ‘Jack’ Morton Tallis (1911–1996), the youngest son of Sir George Tallis of J C Williamson theatres fame... Here was a mystery: how did John Tallis know K...
How things are designed and made should interest all those with a passion for the creative arts. One of our members, Christine Erratt, was involved in the process of designing a new mace for the Australian Catholic University because of the important articles she wrote for Australiana, and another member, W.J. ...
The National Gallery of Australia holds a three-piece silver buckle that originally formed the central element of a Champion’s Boxing Belt presented to prize-fighter Isaac Reid in 1847 (plate 1). This remarkable belt was made by Sydney silversmiths J.J. Cohen & Son1 and engraved by John Carmichael. Until rece...
Jewellers William Lamborn, Leopold Wagner and Samuel Woollett all arrived at Melbourne in the first few years after the discovery of gold in Victoria in 1851. Recent research has uncovered new information on these jewellers and their firms – Wagner & Woollett, Lamborn & Wagner and Woollett & Hewitt. The new i...
Collectors and Australiana Society members Graham and Elizabeth Cocks will be remembered by a collection of Arts and Crafts jewellery, generously given by their daughters to the Art Gallery of South Australia and the Powerhouse Museum.