Search results for 'Sam Nichols'

Vol 44 no 3, Aug 2022
Early school samplers from Van Diemen’s Land
By Nicola Kissane   |   August 2022   |   Vol 44 no 3

As part of their education in useful arts, schoolgirls sewed their own individual samplers, which are also important indicators of progress in educational methods and reach. The format is fairly standard, with the letters of the alphabet in either or both lower and upper case and basic numbers, plus the gi...

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Vol 44 no 2, May 2022
King Albert’s ‘Birthday Book’
By John Wade   |   May 2022   |   Vol 44 no 2

After Albert I King of the Belgians refused safe passage to Kaiser Wilhelm’s troops to attack France, Germany invaded neutral Belgium on 4 August 1914. Britain, bound by an 1839 treaty to support Belgium’s neutrality, declared war on Germany the same day. Australian Prime Minister Joseph Cook offered his go...

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Vol 43 no 4, November 2021
‘Royal memories of Canberra’; repatriating the Duke of Gloucester’s 1946 collection Scenes of Canberra by John Eldershaw
By Sam Nichols   |   November 2021   |   Vol 43 no 4

John Roy Eldershaw (1892–1973) was a landscape artist who worked primarily in watercolours. During his lifetime, he
was proclaimed to be ‘destined to leave unmistakable footprints in the sands of time’. In 1973 Sir Erik Langker, the arts administrator and influential member of
the Sydney arts establishm...

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Vol 43 no 3, August 2021
The Ransom sampler
By Carol Bacon   |   August 2021   |   Vol 43 no 3

A sampler, and the von Stieglitz family Bible in which it was kept for many years, were sold at auction in Launceston in 2016. The sampler consists of stitching on a square of linen cloth 6 inches (15.2 cm) in width by 61⁄2 inches (16.5 cm) in length, edged with blue ribbon (plate 1). The stitches used are la...

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Vol 43 no 2, May 2021
Mauchline Ware and Melbourne
By Nicola Kissane   |   May 2021   |   Vol 43 no 2

Melbourne’s International Exhibition of 1880 was a huge event in its day, allowing Victoria to parade the colony’s achievements to the world. The magnificent building designed by Joseph Reed has hosted many important events for Victoria and Australia. Today, with the gardens, it is UNESCO listed as one of t...

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Vol 43 no 2, May 2021
William Frederick Ward: engraver, heraldic designer, manufacturing jeweller, banknote designer, cinema proprietor, handwriting expert
By Yvonne Barber   |   May 2021   |   Vol 43 no 2

When Yvonne Barber first proposed writing an article about William Frederick Ward, your editor’s response was ‘Who?’ Readers will react the same way, yet W F Ward was involved in the engraving, design and manufacture of silverware for 40 years. He designed the arms of the City of Sydney, won the competiti...

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Vol 41 no 2, May 2019
William Lamborn, gold rush jeweller in colonial Melbourne and his associations with Henry Leopold Wagner and Samuel Peck Woollett
By Jillian Dwyer   |   May 2019   |   Vol 41 no 2

Jillian Dwyer unravels the facts surrounding the place of William Lamborn in the triumvirate of Woollett, Wagner and Lamborn as Victorian gold rush jewellers, refines the dates of their operations, maps the emergence of Lamborn & Wagner as “one of the earliest firms of manufacturing jewellers in Australia,”...

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Vol 40 no 1, Feb 2018
Mr Head's brass tray
By John Wade   |   February 2018   |   Vol 40 no 1

Years ago I bought a brass tray with gum leaves on it. I turned it over and saw that the maker had incised on the back “Hand Made R. Head Cremorne”. At the time, the name meant nothing to me. Then I found another one, without a maker’s name, but in the Arts & Crafts style and with similar features: the sa...

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Vol 39 no 4, Nov 2017
Book review: Jennifer Sanders (ed), ‘Collecting for the Nation, The Australiana Fund'.
By John Wade   |   November 2017   |   Vol 39 no 4

... Tamie Fraser was one of the first to realise the same could be done here to reflect our own culture and history. In 1978, she encouraged the establishment of The Australiana Fund (not to be confused with the Australiana Society, established in the same year), with the aim of lending appropriate examples of ...

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Vol 38 no 4, Nov 2016
Reading a spoon
By Lesley Garrett   |   November 2016   |   Vol 38 no 4

How do three spoons, two by Sydney silversmith Alexander Dick and a later spoon made in London, come to bear the same crest and initials? Lesley Garrett explores the possibilities.

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Vol 38 no 1, Feb 2016
Book review: Sasha Grishin, ‘S T Gill and his audiences‘
By John Wade   |   February 2016   |   Vol 38 no 1

Samuel Thomas Gill died melodramatically, aged 62, on the steps on the Melbourne Post Office at half past four on Wednesday 27 October 1880. A policeman recorded that he “was in a most filthy state and covered with vermin” while a search of the pockets found pills which identified him. An autopsy revealed t...

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Vol 36 no 4, November 2014
Gold Rush jewellers of Melbourne and Dunedin: Wagner & Woollett, Lamborn & Wagner and Wollett and Hewitt
By Michel Reymond   |   November 2014   |   Vol 36 no 4

Jewellers William Lamborn, Leopold Wagner and Samuel Woollett all arrived at Melbourne in the first few years after the discovery of gold in Victoria in 1851. Recent research has uncovered new information on these jewellers and their firms – Wagner & Woollett, Lamborn & Wagner and Woollett & Hewitt. The new i...

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Vol 33 no 1, February 2011
Vol 26 No 4, November 2004
Vol 18 No 2, May 1996
Vol 15 No 4, November 1993
Vol 7 no 4, Oct 1985
The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.