Vol 48 no 2, May 2026
President’s update
By Colin Thomas    |   May 2026   |    Vol 48 no 2

Board Director, Professor David Johnstone recommended to the Board that the Society consider establishing an annual scholarship grant for research into a specific topic of Australiana... The Board agreed to pursue potential partners and provide a maximum grant of $10,000 per annum to one or more recip...

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Vol 48 no 2, May 2026
One Hundred Years – Some Treasured Objects of History West, the Royal Western Australian Historical Society, part 2
By Dorothy Erickson    |   May 2026   |    Vol 48 no 2

Dr Dorothy Erickson continues the evolving story of the Royal Western Australian Historical Society, now known as History West. She reveals more of its collection of treasured objects documenting the history of British settlement in Western Australia, explaining their tangible connections to Western Australia...

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Vol 48 no 2, May 2026
The Peter Walker Fine Art Writing Award 2025
By Mike Dalton    |   May 2026   |    Vol 48 no 2

All are worthy contenders but this year The Peter Walker Fine Art Writing Award is presented, for the first time, to joint winners – siblings Dr Jennifer Harris and Lindsay Harris, who collaborated but published

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Vol 48 no 2, May 2026
Discovery of the earliest dated depiction of Australia’s Regent bowerbird
By Mark R. Cabouret & Justin J.F. Jansen    |   May 2026   |    Vol 48 no 2

The Regent bowerbird (Sericulus chrysocephalus) is the type species of the genus Sericulus established by William John Swainson in 1825, one of eight genera constituting the Australo-Papuan bowerbirds together forming the family of Ptilonorhynchidæ.. Altho...

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Vol 48 no 2, May 2026
There’s a Killer in the room
By R A Fredman    |   May 2026   |    Vol 48 no 2

Most collectors of anything have a small table or two, useful to hold your tea, coffee or wine within reach while you relax in an old-fashioned easy chair. Avid collector Bob Fredman takes us through the several different styles made in Australia over a hundred years, and highlights the importance of the t...

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Vol 48 no 2, May 2026
Queensland dairy farmer artist Wyclif Huston – an artistic casualty of World War II?
By Kevin Lambkin    |   May 2026   |    Vol 48 no 2

Always on the lookout for those rare early paintings of Brisbane, Kevin Lambkin located a highly accomplished oil of a Brisbane River scene at auction in Sydney in 2024. The painting was simply signed ‘Huston’, a name unknown to Kevin and to the painting’s Sydney auction cataloguer who suggested a New Zea...

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Vol 48 no 2, May 2026
Book review: A Survey of the Bateman Collection
By Scott Carlin    |   May 2026   |    Vol 48 no 2

William Petsalis and JamesBateman’s A Survey of the Bateman Collection is a most welcome survey of more than 200 pieces from one of the most impressive collections of Australian colonial furniture and folk art ever assembled, the successor to the dispersed col...

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Vol 48 no 2, May 2026
Australiana Society national tour to Tasmania, March 2026
By Annabel Tyson & Scott Carlin    |   May 2026   |    Vol 48 no 2

The Australiana Society’s 2026 national tour, from 24–31 March, commenced in Launceston and travelled south via the Fingal Valley and Tasmania’s east coast, concluding in Hobart. The tour focused on historic properties and collections in private ownership not generally open to the public. ...

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Vol 48 no 2, May 2026
Jessie’s gold Kalgoorlie windlass brooch
By Greg Street    |   May 2026   |    Vol 48 no 2

In the 19th century, jewellery was the go-to gift for men to show their affection for a wife, fiancée or sweetheart. A century later, rarely do we know who gave what to whom, or when. Often the link has been lost, or the design has fallen out of favour, and the gift becomes neglected. Worse, it might have been...

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Vol 48 no 1, February 2026
President’s update
By Colin Thomas    |   February 2026   |    Vol 48 no 1

With 2026 upon us, we are only two years from our 50th Anniversary. As members should be aware, the Board committed to producing a major publication to celebrate this milestone...

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Vol 48 no 1, February 2026
George W. Goyder, South Australia’s Surveyor-General

After seeing three paintings of great historical significance, following a random but serendipitous encounter, severalSouth Australian collectors arranged for the items to be deposited in the State Library of South Australia where they canbe catalogued, preserved, and made digitally and physically accessible to...

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Vol 48 no 1, February 2026
One Hundred Years – Some Treasured Objects of History West, the Royal Western Australian Historical Society, part 1
By Dorothy Erickson    |   February 2026   |    Vol 48 no 1

The Royal Western Australian Historical Society celebrates its centenary in 2026, with a new name History West, and a new home for members’ activities having display and storage areas for the books, archives, photographic collection and the considerable art and objects held in the art, costume and museum coll...

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Vol 48 no 1, February 2026
A Hopeful Beginning, a Tragic End: Artist Frederick William Whitehouse in Queensland
By Kevin Lambkin    |   February 2026   |    Vol 48 no 1

Early Queensland artworks have interested Dr Kevin Lambkin over many years. He would occasionally see at auctions and antique shops attractive watercolours of unidentified rural homesteads signed ‘F Whitehouse’. Whitehouse was one of those obscure artists about whom very little was recorded, although the St...

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Vol 48 no 1, February 2026
Our Treenage Years
By R A Fredman    |   February 2026   |    Vol 48 no 1

Well-researched histories exist on 19th-century Australian furniture, silver and ceramics. Most of them are reliable sources of information, although possibly outdated, especially since the advent of Trove. Other areas have not yet been researched or have little information available. Avid Queensland collector ...

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Vol 48 no 1, February 2026
Arthur Fleischmann and his ‘lost’ DNA sculpture
By Jim Bertouch    |   February 2026   |    Vol 48 no 1

In the last years of the 19th century, Arthur Fleischmann was born into a Jewish family living under the Austro-Hungarian Empire, which Emperor Franz-Josef had already ruled for 48 years. In the new century, Fleischmann studied medicine, then switched to sculpture. He fled the rising Nazi tide in Europe, settli...

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Vol 48 no 1, February 2026
Woollies – maritime folk art
By Nicola Kissane    |   February 2026   |    Vol 48 no 1

Nicola Kissane presents some maritime folk art in the form of ‘woollies’, images of ships made of coloured woollen yarn, each with an Australian connection. The maker, date, origin, subject and other data relating to folk art is often difficult to pin down. As records are generally lacking, these objects of...

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Vol 47 no 4, November 2025
Annual Financial Report
By    |   November 2025   |    Vol 47 no 4

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Vol 47 no 4, November 2025
Honorary Life Membership Award to Annette Blinco
By    |   November 2025   |    Vol 47 no 4

At the AGM, Annette Blinco becameour fifth Honorary Life Member, and the first woman to be honoured in this way. Annette Blinco has been involved with arts and cultural organisations for over 50 years.

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Vol 47 no 4, November 2025
The Wait Pays Off
By Peter Crawshaw & Robert Hannan    |   November 2025   |    Vol 47 no 4

In the August 2020 issue of Australiana, we wrote an article on the amateur watercolourist, James Coutts Crawford (1817–1889), an Englishman who visited Australia in 1845–46 and rented ‘ForestLodge’, an early colonial house in Glebe ... Later he moved to New Zealand, w...

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Vol 47 no 4, November 2025
Fashioning Empire in Adelaide. The J. Miller Anderson Wedding Gown of 1881: Fashion, Labour, and Aspiration in Colonial South Australia
By Petrina Killey    |   November 2025   |    Vol 47 no 4

Described at the time as ‘the first of its kind produced in these colonies’, the wedding gown examined in this article embodies significance beyond its sartorial form; it constitutes a multi-faceted historical artefact positioned at the nexus of design, commerce, technology, identity and social history. Pet...

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Vol 47 no 4, November 2025
Jonoski Takuma, Cameo Carver of Emu Eggs: addendum
By Mark R Cabouret    |   November 2025   |    Vol 47 no 4

In our May and August issues of 2025, siblings Jennifer and Lindsey Harris explored the cross-cultural influence ofJapanese craftsman Jonoski Takuma in his carving of Australian scenes on emu eggs around the time of Federation.Their articles led ornithologist and collector Dr Mark Cabouret to look very carefull...

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Vol 47 no 4, November 2025
Matchstick Craft at Ipswich Art Gallery
By Claire Sourgnes    |   November 2025   |    Vol 47 no 4

Glenn R Cooke (1946–2025) was a generous donor to the Ipswich Art Gallery, which wanted to pay homage to his generosity, idiosyncratic collecting and endless curiosity and humour. The Gallery’s response was a display showcasing a selection of donated objects fashioned out of matchsticks.

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Vol 47 no 4, November 2025
A Visit to the Cowpastures
By Robert Hannan    |   November 2025   |    Vol 47 no 4

Fifty-five society members enjoyed an excellent day visiting three historical properties in the Cobbitty area, on Sydney’s semi-rural western fringe, onSunday 12 October 2025. Once known as the Cowpastures on the colonial frontier of British settlement, the area was probably best known for ‘Camden...

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Vol 47 no 4, November 2025
Let there be Lights
By R A Fredman    |   November 2025   |    Vol 47 no 4

Those of us with collections of brown furniture sometimes brighten up our display space with art, pottery or ceramics. Bob Fredman takes us through another option, decorative kerosene lamps, some of which were made in Australia. They are very interesting in their own right and when hung or placed in the ri...

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Vol 47 no 4, November 2025
John Doody, Captain Paterson’s Convict Artist
By Robert Stevens    |   November 2025   |    Vol 47 no 4

The young convict John Doody was an accomplished botanical artist whose fine watercolours, combined with Captain William Paterson’s annotations, were the first attempt to catalogue the flora of Norfolk Island. Though the drawings are unsigned, in a 1794 letter Paterson (plate 1) identified t...

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Vol 47 no 4, November 2025
Goldfinders’ Home Inn, Kurrajong and Australia’s early timber houses
By Christopher Hallam & Peter Crawshaw    |   November 2025   |    Vol 47 no 4

The purchase of the former Goldfinders’ Home Inn at Kurrajong led owners Chris and Deborah Hallam to research their property, discovering that European habitation on the site began much earlier than initially believed. This inspired them to locate and document 160 early timber houses across the nation. The co...

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Vol 47 no 4, November 2025
Vol 47 no 3, August 2025
Going Potty
By R A Fredman    |   August 2025   |    Vol 47 no 3

Collector Bob Fredman relates a recent project – identifying, cleaning and restoring a nondescript terracotta garden urn,covered in house paint, with links to Brisbane and the early European settlers of the Sunshine Coast hinterland.

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Vol 47 no 3, August 2025
President’s update
By Colin Thomas    |   August 2025   |    Vol 47 no 3

Thank you to members who provided feedback on the proposed changes toour national tour registration procedures, detailed in May Australiana. Many members advised that they understood the constraints of having limited places on these much sought-after tours, mostly of private h...

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Vol 47 no 3, August 2025
Ada Whiting miniatures
By Rod Tuson    |   August 2025   |    Vol 47 no 3

Unusually for an artist, Ada Whitingnee Cherry (1859 –1953) was a celebrated success in her lifetime.1In 1900, the first time she submitted a portrait miniature to the Royal Academy in London, it was hung ‘onthe line’ – a small work needs to be exhibited at eye level. Remarkable for a‘colonial’, a f...

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Vol 47 no 3, August 2025
Book Review: Ken Orchard, James Ashton
By Peter Lane    |   August 2025   |    Vol 47 no 3

Ken Orchard, James Ashton,Artist of the Fleurieu Coast.Royal South Australian Society ofArts, Adelaide 2025. Soft cover,95 pages 29 x 21 cm. Exhibitioncatalogue, all paintings and objectsillustrated, chronology, bibliography.$30, available only at the RSASA,Institute...

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Vol 47 no 3, August 2025
A Japanese artist in Australia: Jonoski Takuma and his family
By Lindsay Harris    |   August 2025   |    Vol 47 no 3

Jonoski Takuma, a young, missionary-educated Japanese man, arrived in Australia in 1888 and within a few years began engraving emu eggs depicting Australian scenes. Reflecting his Japanese cultural heritage, these delicately carved eggs,along with postcards and a children’s book, embody a fusion of Japanese a...

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Vol 47 no 3, August 2025
Ernest Jardine Thwaites: pioneer cinematographer and inventor
By Robert La Nauze    |   August 2025   |    Vol 47 no 3

Rob La Nauze highlights his research into the cinematic achievements of Ernest Jardine Thwaites (1873–1933) that identified 16 short films Thwaites made, 18 films attributed to Thwaites, and seven other films that Thwaites possibly made in Victoria.Yet his notable pioneering achievements in film spanned only ...

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Vol 47 no 3, August 2025
The ‘Meat in The Sandwich’ between Boom and Bust: James Clarke Waite’s 'The Saltwater River', 1896
By Sam Nichols    |   August 2025   |    Vol 47 no 3

A chance online encounter with an arresting 19th-century oil painting depicting a scene of forlorn industry on the banks of the Saltwater River, executed by one of Australia’s foremost portrait painters of the Victorian period, and its offering in a Hobart auction may have misled some to assume it depicted a ...

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Vol 47 no 3, August 2025
The Orrong Pottery and Journeyman Potters
By Gregory Hill    |   August 2025   |    Vol 47 no 3

The Orrong Pottery operated for just four years, from 1880 to 1884, in Melbourne’s eastern suburb of Prahran, and under several names. It produced bricks and sewer pipes, as well as employing several prominent, Staffordshire-trained journeyman potters to introduce a range of domestic pottery to compete with w...

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Vol 47 no 3, August 2025
Thomas Rice’s Sampler, Lyndoch Valley, South Australia
By Nicola Kissane    |   August 2025   |    Vol 47 no 3

Embroidered samplers worked in various stitches by girls or young women to demonstrate their needlework skills. Typically, samplers include the alphabet, some mottoes, and simple pictures and patterns, often with the maker’s name and the date.This mid-Victorian sampler is a tribute to Thomas Rice (1808–1887...

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Vol 47 no 3, August 2025
Phyllis Murphy 1924–2025
By Jock Murphy    |   August 2025   |    Vol 47 no 3

Dr Phyllis Murphy AM, a long-time member of the Australiana Society, died in May, just a few weeks short of her 101st birthday. Born Phyllis Slater in Melbourne in 1924,Phyllis developed a strong interest in buildings and design from an early age. Her son Jock Murphy records her architectural work and her ...

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Vol 47 no 2, May 2025
President’s update
By Colin Thomas    |   May 2025   |    Vol 47 no 2

What an outstanding success the 2024
national tour of Victoria was!
Victorian branch chair Robert Stevens
and his team did an absolutely fantastic
job in every regard. From venue selection,
menu selection, to negotiating the best
possible deal with all providers, nothing
more could possibly have been wis...

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Vol 47 no 2, May 2025
In the detail: the collaborative Arts and Crafts of Mabel and William Blamire Young
By Andrew Montana    |   May 2025   |    Vol 47 no 2

William and Mabel Blamire Young collaborated in many of their artistic and other endeavours, yet she was overshadowed
and her work has been largely unrecognised. Dr Andrew Montana investigates her contribution, especially to the Arts and
Crafts Movement in Victoria, with the help of their descendants.

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Vol 47 no 2, May 2025
Now in Australia: proof engravings prepared for Sir Joseph Banks from plant drawings made by Sydney Parkinson on James Cook’s Endeavour voyage
By David Mabberley    |   May 2025   |    Vol 47 no 2

The Peter Crossing Collection in Sydney recently acquired a set of engravings now identified as very early proof pulls made
in London for Joseph Banks’s unpublished Plantarum omnium detectarum Terrarum maris au∫tralis de∫criptiones & figurae
(Descriptions & illustrat...

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Vol 47 no 2, May 2025
Victorian Tour 2025 – Melbourne and beyond
By Graham Stanley    |   May 2025   |    Vol 47 no 2

The Australiana Society’s first national
tour of Victoria from 20 to 24 March
was a huge success. The tour got off to
an unusual start at Gary and Genevieve
Morgan’s Gallery, with our host Gary
Morgan addressing us on a large screen
from his hospital bed...

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Vol 47 no 2, May 2025
Remembering Glenn R Cooke 1946 – 2025
By John Wade    |   May 2025   |    Vol 47 no 2

Frequent contributor to Australiana and former curator at the Queensland Art Gallery/Gallery of Modern Art (QAGOMA),
Glenn R Cooke, died in January. Australiana editor John Wade encapsulates Glenn’s immense influence, drawing on the
orations at his memorial in Brisban...

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Vol 47 no 2, May 2025
Judge’s Report: The 2024 Peter Walker Fine Art Award
By Megan Martin    |   May 2025   |    Vol 47 no 2

Once again, the task of judging
the Peter Walker Fine Arts Writing
Award has proved challenging. The
challenge comes from the diversity of
well-researched, well-illustrated articles.
Inevitably the short list for the Award
will come from the longer articles but the
interest of the magazine comes as much
...

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Vol 47 no 2, May 2025
How did a cockatoo reach 13th-century Sicily?
By Heather Dalton    |   May 2025   |    Vol 47 no 2

Frederick II of Sicily made contact with the Kurdish al-Malik Muhammad al-Kamil in 1217, a year before he became Sultan
of Egypt. Over the next 20 years, the two rulers communicated regularly, exchanging letters, books and rare and exotic
animals. One exotic gift the Sultan sent Frederick was a Sulphur-creste...

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Vol 47 no 2, May 2025
Emu eggs à la japonaise
By Jennifer Harris    |   May 2025   |    Vol 47 no 2

The fashion for emu eggs for decorative purposes gained momentum through the latter part of the 19th century as Australia
approached Federation. As aligned to Australian identity as the emu is, it may come as a surprise to discover that emu
eggs attracted Japanese artisans who expressed their artistry in inno...

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Vol 47 no 2, May 2025
A Leaf out of Glenn’s Book
By R A Fredman    |   May 2025   |    Vol 47 no 2

Acanthus leaves have been used as decoration in buildings, furniture and pottery since the birth of western architecture.
They were often a decorative feature on Australia’s early Neo-Classical furniture until the advent of Australian themes
towards the end of the 19th century. Bob Fredman discusses the use...

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Vol 47 no 1, February 2025
Gold Australian animal sculptures
By Christine Erratt    |   February 2025   |    Vol 47 no 1

Two gold sculptures featuring Australian animals expertly cast in Sydney bySimon Adrien Schagen (1923–2013)were offered by West Sussex auctioneersToovey’s on 8 August 2024.

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Vol 47 no 1, February 2025
Vol 47 no 1, February 2025
Australiana Society visit to Fairfield Tasmania
By Ginni Woof    |   February 2025   |    Vol 47 no 1

Ginni Woof reports on the Australiana Society visit to Fairfield at Cressy in north-east Tasmania, about 30 km south of Launceston, in December.

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Vol 47 no 1, February 2025
President’s update
By Colin Thomas    |   February 2025   |    Vol 47 no 1

I trust all members had a most enjoyable festive season with family and friends. 2025 is well and truly upon us with significant events planned for the calendar year.It was most pleasing to finish 2024 with 556 members. This is a record for the society and demonstrates the value which members perceive they are ...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.