List of Articles in Issue Vol 44 no 4, Nov 2022

Vol 44 no 4, Nov 2022
President’s Update
By Colin Thomas   |   November 2022   |   Vol 44 no 4

Thank you to the members who attended the 2022 Annual General Meeting in person or via zoom. Thank you also for the show of support to me as President and to the other Directors who were elected.

I particularly thank Peter Crawshaw for his nomination and subsequent election to the Secretary’s position. Ly...

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Vol 44 no 4, Nov 2022
William Knox D'Arcy: Art Collector and Patron
By Dianne Byrne   |   November 2022   |   Vol 44 no 4

William Knox D’Arcy (1849–1917) is remembered today as an indefatigable adventurer, who through financial daring and
extraordinary good fortune, became the ‘founder’ of the modern oil industry in the Middle East. However, there is another
facet to his life, as the ex-Rockhampton solicitor who became a...

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Vol 44 no 4, Nov 2022
The Paris Exposition Universelle, the Suez Canal and a Gold Sphinx Brooch
By John Hawkins   |   November 2022   |   Vol 44 no 4

November 2022 marks the centenary of the discovery of the virtually intact tomb of King Tutankhamun, who reigned from about 1332 to 1323 BC. The pharaoh’s burial goods created a worldwide sensation focussed on ancient Egypt, which has long fascinated Europeans, partly because of its Biblical connections and p...

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Vol 44 no 4, Nov 2022
I Opine it’s a ‘Pine’
By R A Fredman   |   November 2022   |   Vol 44 no 4

From the foundation of the colonies, local cabinetmakers experimented with using the wide range of native timbers. Bob Fredman discusses a chest of drawers, most likely made about 1900 in Bundaberg, Queensland and probably by a local cabinet maker of Germanic heritage, who liked to use contrasting timbers with ...

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Vol 44 no 4, Nov 2022
H.A. Nielsen, Art Cabinet Maker, of Port Douglas, North Queensland
By John Wade   |   November 2022   |   Vol 44 no 4

Many colonial woodworkers, often trained in Britain or Europe, came to Australia and discovered the vast variety of native timbers suitable for carving or for making furniture and timber articles. Jewellery ‘book boxes’ made from several contrasting North Queensland timbers and bearing the stamp of ‘H.A. ...

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Vol 44 no 4, Nov 2022
Queensland to a T Collection and Exhibition, State Library of Queensland
By Peter Spearritt   |   November 2022   |   Vol 44 no 4

Prodigious Australiana contributor Glenn R. Cooke is well known through his professional interests in Queensland art, decorative arts and social history. But that does not define Glenn; he loves ballroom dancing and gardens, as well as pursuing a sideline in collecting artefacts relating to his home stat...

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Vol 44 no 4, Nov 2022
Arnott’s Kookaburra – a Mystery Biscuit
By Paul Gregson   |   November 2022   |   Vol 44 no 4

We sometimes forget that some artefacts are ephemeral. Paul Gregson reminds us that a biscuit can be a nostalgic piece of Australiana, though it may only exist now in images.

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Vol 44 no 4, Nov 2022
Considering a Curious Carving
By Glenn R Cooke   |   November 2022   |   Vol 44 no 4

Artists draw inspiration from many sources. Glenn Cooke examines at how a 20th-century Queensland wood carver took his design inspiration from an historical French pottery plaque some 400 years old, finding what seems to be the exact example he used.

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Vol 44 no 4, Nov 2022
Above the Trenches? Cast-metal Aeroplanes of the 1940s
By Peter Hobbins   |   November 2022   |   Vol 44 no 4

Polished-brass and chrome-plated aeroplanes were popular World War II mementoes – but how were they made and why did they take off in Australia?

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Vol 44 no 4, Nov 2022
Mary Jones: a Mysterious Artist in Queensland
By Timothy Roberts   |   November 2022   |   Vol 44 no 4

Brisbane painter and art teacher Mary E. Jones has escaped recognition for 130 years. She would not be alone in that fate: over time, many aspiring painters and their works disappear from history. Timothy Roberts reveals some details about Miss Jones’s career and her impact as a woman artist in Brisbane betwe...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.