List of Articles in Issue Vol 35 no 4, November 2013

Vol 35 no 4, November 2013
David G. Reid - printmaker, painter and plumber
By Silas Clifford-Smith   |   November 2013   |   Vol 35 no 4

Scottish immigrant David Reid was a plumber and gasfitter who worked in Sydney’s inner western suburb of Newtown. He enriched his life by taking up painting and etching, mostly of pastoral scenes, and by participating in the life of the artistic community.

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Vol 35 no 4, November 2013
Fit for a Queen: two Royal jubilee testimonies from colonial Queensland
By Timothy Roberts   |   November 2013   |   Vol 35 no 4

On 6 February 2012, Queen Elizabeth II celebrated her Diamond Jubilee, the 60th anniversary of her accession. This milestone has afforded an examination of her life and reign, and has revived interest in the Royal Family at large, including Britain’s longest reigning monarch, Queen Victoria. Queensland – on...

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Vol 35 no 4, November 2013
The Macquarie Event
By Tim Cha   |   November 2013   |   Vol 35 no 4

The Wallis album is closely linked to the two chests through Captain James Wallis (1785?–1858). Wallis, appointed commandant of the Newcastle penal settlement by Macquarie in 1816, had the Macquarie chest made as a parting gift for Governor Macquarie around 1818. It is possible that Wallis, who retired from t...

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Vol 35 no 4, November 2013
Joseph Bridekirk, Cabinetmaker: Hobart, Sydney and Maitland
By David Kelly   |   November 2013   |   Vol 35 no 4

In his new book Convict and Free: The Master Furniture-makers of Early New South Wales, David Kelly presents well-researched biographies of dozens of previously little-known cabinetmakers. Tasmanian and NSW cabinet-maker, undertaker and upholsterer Joseph Baronet Bridekirk is just one of them. His story is docu...

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Vol 35 no 4, November 2013
Grant of $5,000
By Jim Bertouch   |   November 2013   |   Vol 35 no 4

I am very pleased to announce that the Australiana Society would like to invite submissions from institutions to assist in the acquisition of an object or objects of Australiana.

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Vol 35 no 4, November 2013
London calling
By Bill Blinco   |   November 2013   |   Vol 35 no 4

London being London, many wonderful and stimulating exhibitions were on when we visited in September – October 2013. They are worth recording here to remind us of the importance of mounting exhibitions aimed at stimulating the audience rather than pandering to a market.

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Vol 35 no 4, November 2013
John Wood, gentleman turner
By John Hawkins   |   November 2013   |   Vol 35 no 4

The construction of the complex and difficult-to-make oval cedar case for the Woodstock Challenge Cup (plate 1) illustrated in my article “Essie Jenyns and her Australian Terriers” has prompted me to wonder how and why it came into being. Recently I purchased for my reference library a complete set of the B...

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Vol 35 no 4, November 2013
Jewellery is for giving
By John Wade   |   November 2013   |   Vol 35 no 4

Collectors and Australiana Society members Graham and Elizabeth Cocks will be remembered by a collection of Arts and Crafts jewellery, generously given by their daughters to the Art Gallery of South Australia and the Powerhouse Museum.

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Vol 35 no 4, November 2013
Book review: Penny Olsen, 'Cayley & Son'
By Richard Neville   |   November 2013   |   Vol 35 no 4

The Neville Cayleys – father and son – are a curious case. Both were prolific, and are well represented in the market. The most recent iteration of the Australian Art Sales Digest (www. aasd.com.au) lists 605 works by Neville Henry Cayley and 572 works by Neville William Cayley sold at auction since the 197...

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Vol 35 no 4, November 2013
Book review: Penny Olsen, 'Collecting Ladies'
By Dorothy Erickson   |   November 2013   |   Vol 35 no 4

As the daughter of a botanist, botanical artist and writer for whom species and genera have been named, and currently researching the women artists of Western Australia, I was really interested to review what looked to be a lovely book. The attractive layout designed by Kathryn Wright has numerous illustrations...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.