In October this year, the Australiana Society will turn 40, and I am very pleased to announce that we will be recognising this important milestone in a number of different ways. However it is worthwhile remembering that when the Society was founded in 1978 there was very limited interest in Australian decorativ...
Wood and stone carver Lewis John Godfrey contributed to the high end of the artistic spectrum displayed at the International and Intercolonial Exhibitions from the 1850s into the 20th century, and his stone carvings still grace many buildings in Dunedin, New Zealand. Immediately after finishing his London appre...
A Rats of Tobruk wood panel falls under the category of “trench art”: decorative objects made by soldiers, prisoners of war, or civilians that are directly linked to armed conflict or its consequences. This term is a misnomer as these objects were rarely, if ever made in the trenches. Many were made from sc...
Prominent colonists or officials returning “home” were often presented with a memento to thank them for their achievements in Australia. These gifts often took the form of an object that was distinctly Australian in its design or materials. Many works have been forgotten or destroyed, so it is a gratifying ...
Coursing has a history of over 150 years in Australia. In its heyday in Britain, the sport attracted the aristocracy and even royalty such as Prince Albert. In Australia, wealthy gentlemen bred, owned, traded and gambled on greyhounds. The most famous dogs were expensive, revered and the subject of portraits by...
Vaucluse House has been in public ownership since 1910, initially managed by a government-appointed board of trustees as a public park and historical museum, and latterly managed as a house museum under the control of the Historic Houses Trust of NSW (now known as Sydney Living Museums). Megan Martin looks at t...
Peter Watts composed this tribute to John Morris, former director of the National Trust (NSW) and a former President of the Australiana Society. He outlines John’s substantial contribution to heritage conservation in NSW, where he and his allies took the fight up to bureaucrats and developers to preserve buil...
Years ago I bought a brass tray with gum leaves on it. I turned it over and saw that the maker had incised on the back “Hand Made R. Head Cremorne”. At the time, the name meant nothing to me. Then I found another one, without a maker’s name, but in the Arts & Crafts style and with similar features: the sa...
If you think that a history of the numismatic collection held by the Art Gallery of South Australia would be a dry read of limited appeal, you are certainly in for a pleasant surprise with Peter Lane’s new book. It is a good read, full of life and interest.