Recently rediscovered information pertaining to the life of Australian painter and art teacher Rose Blakemore has enriched our understanding of four portrait miniatures in the Queensland Art Gallery’s collection.
Colin Thomas, the inaugural chairman of the Tasmanian Chapter of the Australiana Society, has assembled a significant collection of scrimshaw, mostly of Tasmanian origin, which reflects Tasmania’s early prosperity as a result of maritime industries. In the first of these articles, Scott Carlin gives the backg...
You might easily pass by, without noticing, a basic item of furniture with little decoration or character, but a closer look can be revealing. Dr Philip Reid brings to life a small pine table, through a paper label pasted underneath, which reveals its maker, date, means of delivery and destination – the Hospi...
One of the first events organised by the Australiana Society’s Queensland Chapter was a visit to Miegunyah, the historic house museum owned and operated by the Queensland Women’s Historical Association in Bowen Hills, Brisbane for the past 50 years. For the visit in June 2018, local member Judith McKay acte...
In 2002, Therese Mulford and Robyn Lake co-authored an article on the shadowy painter Frederick Strange (c 1807-1873),1 best known as a painter of landscapes and portraits in Tasmania.2 Some of his works were recently showcased in an exhibition, The Enigmatic Mr Strange, at the Queen Victoria Museum and Art Gal...
David Scott Mitchell (1836 –1907) had a private income which allowed him to pursue his collecting and become the greatest Australiana collector. About a century after British settlement, Mitchell identified the need to collect Australiana that was, at the time, rapidly disappearing. His collection of somewher...
Furniture restorer Paul Gregson follows up Dr David Bedford’s article on “hide glue” in Australiana for November 2018 with some practical advice, although he suggests that a demonstration is more informative to understand the process.