Dianne Byrne

George Hart-Taylor: rediscovering an important Queensland landscape painter

Some hold the view that, except for Conrad Martens and Isaac Walter Jenner, no accomplished artists found anything to interest them in the wilder regions of colonial Queensland. Where are the grand landscape paintings to rival those of John Glover or Eugene von Guérard? In fact, several accomplished but now forgotten artists worked in the colony in the second half of the 19th century, clearly attracted by the expansive landscape, the dramatic mountain peaks, and the impact that the new settlers were making. Dianne Byrne reveals the story of one of those artists, George Hart-Taylor (1853–1940), whose works are being re-discovered.

William Knox D’Arcy: Art Collector and Patron

William Knox D’Arcy (1849–1917) is remembered today as an indefatigable adventurer, who through financial daring and extraordinary good fortune, became the ‘founder’ of the modern oil industry in the Middle East. However, there is another facet to his life, as the ex-Rockhampton solicitor who became an aspiring and influential art patron who applied his wealth derived from the wildly profitable Mt Morgan gold mine to commission unique furnishings and a suite of famous William Morris tapestries, and to assemble an eclectic collection of contemporary 19th-century British paintings. Dianne Byrne looks at Knox D’Arcy as one of Australia’s major early connoisseurs and collectors and considers his now forgotten contribution to the fledgling collection of the Queensland Art Gallery.

James and Charlotte Cowlishaw’s ‘Golden Wedding’ Napkin Rings, c 1912

What better way to celebrate a golden wedding than with a golden gift that symbolises affection for the recipients, their intimate connection over 50 years and carries their monograms? Dianne Byrne explores the background to a pair of gold napkin rings presented to James and Charlotte Cowlishaw in Brisbane in 1912. Though marked, so far the marks have eluded us as to their maker.

The Tattersall’s Club cups: Queensland racing history in gold and silver 1884-1888

Dianne Byrne shares some of the outcomes of her postgraduate research into 19th-century presentation jewellery and metalwork made in Queensland or for Queenslanders, focusing here on a series of racing trophies made in the 1880s for the Tattersall’s Club Cup run at Eagle Farm racecourse. Two of these were made by the previously neglected Sydney silversmith Thomas Matthew Alcock, and designed in an international ‘Etruscan’ style, which contrasts with the familiar vernacular style incorporating overtly Australian motifs such as emus and kangaroos.

Colonial artist John Campbell in Brisbane

For someone who worked in Tasmania, Victoria, Queensland, NSW and Western Australia between the late 1870s and his death, the prolific scene painter and artist John Campbell (1855–1924) deserves to be better known. Dianne Byrne reveals a number of impressive watercolours which are mostly portraits of the houses of prominent Queenslanders, painted during his brief residence in Brisbane c 1887–1890.

Lady Bowen’s Irish harp brooch – a missing piece of Queensland colonial jewellery

The practice of presenting diplomatic gifts to dignitaries goes back to antiquity. As the much-admired wife of the governor of the colonies of Queensland, New Zealand and Victoria, Diamantina, Lady Bowen received some significant pieces of jewellery and metalwork. These gifts were frequently, and often fulsomely, described in contemporary newspapers. Dianne Byrne investigates some of her presentation pieces, through newspaper accounts and images.

George Hart-Taylor: rediscovering an important Queensland landscape painter

George Hart-Taylor: rediscovering an important Queensland landscape painter

Australiana SocietyAustraliana SocietyFebruary 1, 2025
William Knox D’Arcy: Art Collector and Patron

William Knox D’Arcy: Art Collector and Patron

Australiana SocietyAustraliana SocietyNovember 1, 2022
James and Charlotte Cowlishaw’s ‘Golden Wedding’ Napkin Rings, c 1912

James and Charlotte Cowlishaw’s ‘Golden Wedding’ Napkin Rings, c 1912

Australiana SocietyAustraliana SocietyAugust 25, 2026
The Tattersall’s Club cups: Queensland racing history in gold and silver 1884-1888

The Tattersall’s Club cups: Queensland racing history in gold and silver 1884-1888

Australiana SocietyAustraliana SocietyAugust 25, 2026
Colonial artist John Campbell in Brisbane

Colonial artist John Campbell in Brisbane

Australiana SocietyAustraliana SocietyAugust 25, 2026
Queensland welcomes a portrait of Lord Lamington

Queensland welcomes a portrait of Lord Lamington

Australiana SocietyAustraliana SocietyAugust 25, 2026
Lady Bowen’s Irish harp brooch – a Queensland colonial treasure rediscovered

Lady Bowen’s Irish harp brooch – a Queensland colonial treasure rediscovered

Australiana SocietyAustraliana SocietyAugust 25, 2026
Lady Bowen’s Irish harp brooch – a missing piece of Queensland colonial jewellery

Lady Bowen’s Irish harp brooch – a missing piece of Queensland colonial jewellery

Australiana SocietyAustraliana SocietyAugust 25, 2026
The John Watts necklace: a masterpiece of Australian gold jewellery by Christian Ludwig Qwist

The John Watts necklace: a masterpiece of Australian gold jewellery by Christian Ludwig Qwist

Australiana SocietyAustraliana SocietyFebruary 1, 2013
The Ipswich Odd Fellows medal of 1850

The Ipswich Odd Fellows medal of 1850

Australiana SocietyAustraliana SocietyAugust 1, 2012