All are worthy contenders but this year The Peter Walker Fine Art Writing Award is presented, for the first time, to joint winners – siblings Dr Jennifer Harris and Lindsay Harris, who collaborated but published
Well-researched histories exist on 19th-century Australian furniture, silver and ceramics. Most of them are reliable sources of information, although possibly outdated, especially since the advent of Trove. Other areas have not yet been researched or have little information available. Avid Queensland collector ...
Nicola Kissane presents some maritime folk art in the form of ‘woollies’, images of ships made of coloured woollen yarn, each with an Australian connection. The maker, date, origin, subject and other data relating to folk art is often difficult to pin down. As records are generally lacking, these objects of...
Described at the time as ‘the first of its kind produced in these colonies’, the wedding gown examined in this article embodies significance beyond its sartorial form; it constitutes a multi-faceted historical artefact positioned at the nexus of design, commerce, technology, identity and social history. Pet...
In our May and August issues of 2025, siblings Jennifer and Lindsey Harris explored the cross-cultural influence ofJapanese craftsman Jonoski Takuma in his carving of Australian scenes on emu eggs around the time of Federation.Their articles led ornithologist and collector Dr Mark Cabouret to look very carefull...
Those of us with collections of brown furniture sometimes brighten up our display space with art, pottery or ceramics. Bob Fredman takes us through another option, decorative kerosene lamps, some of which were made in Australia. They are very interesting in their own right and when hung or placed in the ri...
The purchase of the former Goldfinders’ Home Inn at Kurrajong led owners Chris and Deborah Hallam to research their property, discovering that European habitation on the site began much earlier than initially believed. This inspired them to locate and document 160 early timber houses across the nation. The co...
Unusually for an artist, Ada Whitingnee Cherry (1859 –1953) was a celebrated success in her lifetime.1In 1900, the first time she submitted a portrait miniature to the Royal Academy in London, it was hung ‘onthe line’ – a small work needs to be exhibited at eye level. Remarkable for a‘colonial’, a f...
Dr Phyllis Murphy AM, a long-time member of the Australiana Society, died in May, just a few weeks short of her 101st birthday. Born Phyllis Slater in Melbourne in 1924,Phyllis developed a strong interest in buildings and design from an early age. Her son Jock Murphy records her architectural work and her ...
When we eventually and inevitably lose some of our friends and colleagues, we have a duty to encapsulate their contributions to the heritage movement generally. Ian Stephenson was such a person, an active member of the Australiana Society and many other organisations. Starting his working life at the Tax Office...
Curators know that the best place to find good artefacts is in the neglected corners of a museum store. Megan Martin found an interesting cast-iron historical plaque, an item from a radical time when a commitment to state-owned enterprises was a central plank of the policy platform of Queensland’s Labor Gover...
Scottish-born immigrant cabinetmaker John Wilson Carey (1829–1902) made two exceptional items of Queensland
cabinetwork in the 1870s which still exist today. His skilful use of many different Queensland timber veneers makes them
cabinetmaking tours de force. ...
While David Bedford has analysed two extant examples of veneered Queensland desks made by J W Carey, Yvonne Barber
provides biographical information about this man devoted to the Queensland timber industry, who remarked that ‘taking a
man like him from his business was li...
Peter Lane’s article, ‘Australian filet crochet, The Weekly Times Book of Patterns’ that appeared in May 2024 Australiana, included biographies of the crochet designers and judges of the newspaper’s crochet competition. But it did not record the journalist, who used t...
Bob Fredman brings some country humour to discussing the design inspiration of a chair discovered in Brisbane, made of Queensland timbers, which also displays Egyptian design elements. He suggest it was probably made in Queensland and inspired by the finding of Tutankhamun’s tomb at Luxor in 1922.<...
Australiana is sometimes accused of being exclusive, publishing articles only on fine, expensive, early-19th century art and artefacts associated with famous men or families from the Eastern States. South Australian contributor Peter Lane delves into the makers and designers of early 20th cent...
I trust all members had an enjoyable festive season with family and friends, and took the opportunity to relax. During this period of relaxation, you may well have spent some time reading Australiana and the book so generously donated regarding John Mitchell Cantle, Australia’s first native-born orn...
Chests of drawers come in all sorts of shapes and sizes, and are easy to describe using some basic elements such as dimensions and number of drawers, types of timber, feet, knobs etc. For scholars of early furniture many more parameters come into play, not the least being an assessment of whether all its ...
Born in Portugal and trained in Europe, Artur Loureiro (1853–1932) settled in Melbourne where he painted and taught art for a living between 1884 and 1904. Painting various subjects in a wide range of styles, he associated with all the leading Melbourne artists of the time – Streeton, Conder, McC...
...
The 2023 financial year has proven to be another great year for the Society.
With the disaster that was COVID-
19 behind us, your board got to work at a national and state level to deliver
enhanced opportunities to benefit
me...
Leo Schofield describes his first (and last!) gig as chair of the curatorium which devised the current exhibition at the Powerhouse
Museum in Ultimo in Sydney, the first major and kaleidoscopic show of objects from the Museum’s holdings since 1988. It has
proved exception...
Curator and historian Tim Roberts previews a new exhibition on the English ceramics firm Wedgwood, founded by Josiah Wedgwood in 1759, and linked with the British colonisation of Australia through its design and manufacture of the ‘Sydney Cove Medallions’ in 1789. These were made from Sydney clay sent...
Bob Fredman highlights an interesting discovery, English cabinetmakers using Australian rose mahogany as an exotic furniture timber in the early 19th-century. He suggests that, in the dearth of mentions of rose mahogany in early Australian furniture, there may be a major void in our knowledge and in our collect...
Zealous colonists wanted those ‘at home’ to know how economically successful the British colonies in Australia had become. When gold was found in 1851, the Governor of New South Wales sent specimens of the first gold, in boxes made using selected colonial timbers by Irish-born cabinetmaker Andrew...
Scrimshaw, the ancient art of the mariner is a most important part of our heritage which is very collectable. At times, scrimshaw achieves very high prices at auction in Australia and internationally. This article relates solely to Australian scrimshaw which is different in many ways to American or in...
As far as eating paraphernalia goes, Australiana has previously covered dining tables and chairs, sideboards, ceramic plates, silver table ornaments, Splayds and even tea towels. Megan Martin demonstrates that it is about time we looked at recipe books, particularly as these Queensland examples ...
From the foundation of the colonies, local cabinetmakers experimented with using the wide range of native timbers. Bob Fredman discusses a chest of drawers, most likely made about 1900 in Bundaberg, Queensland and probably by a local cabinet maker of Germanic heritage, who liked to use contrasting timbers with ...
We sometimes forget that some artefacts are ephemeral. Paul Gregson reminds us that a biscuit can be a nostalgic piece of Australiana, though it may only exist now in images.
Many colonial woodworkers, often trained in Britain or Europe, came to Australia and discovered the vast variety of native timbers suitable for carving or for making furniture and timber articles. Jewellery ‘book boxes’ made from several contrasting North Queensland timbers and bearing the stamp of ‘H.A. ...
Brisbane painter and art teacher Mary E. Jones has escaped recognition for 130 years. She would not be alone in that fate: over time, many aspiring painters and their works disappear from history. Timothy Roberts reveals some details about Miss Jones’s career and her impact as a woman artist in Brisbane betwe...
Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw
a new business opportunity and opened a sawmill at...
Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw a new business opportunity and opened a sawmill at Wy...
When furniture or crib board collecting becomes too hard, because of either their cost or scarcity or both, the average Australiana collector can turn to drinks trays. They can turn to drinks too, but this article is just about the trays.
Visions of a Republic. The work of Lucien Henry, the lavishly illustrated 2001 book produced for an exhibition on the designs and art of Lucien Henry (1850–1896), devotes more words to describing a photograph of the couple’s apartment in Darlinghurst (plate 1) than it does to describing his wife Juliette. Y...
We often recognise Australiana by the presence of motifs depicting Australia’s unique flora and fauna and, especially in the 19th century, representations of Indigenous figures. Anthropologists studied Indigenous people, while the things they made – much of it, what we would describe today as art – were r...
The Australiana Society aims to support ‘researching, preserving and collecting Australia’s heritage’. As our readers have a range of interests and live in different states, so we try to cater to all interests and regions. However, we rely on what you submit. Everyone is welcome to submit articles for con...
What an outstanding event the Sydney Basin Tour proved to be! While I have detailed this verbally and via personal email, it would be completely remiss of me not to publicly thank Robert Hannan, Peter Crawshaw, Andy Simpson and Tim Cha for their outstanding efforts in planning and delivering a wonderful event. ...
Most craftsmen who emigrated to colonial Australia were trained in the English, Scottish, Irish or German traditions. In Western Australia, several Spanish craftsmen were attracted by the monastery established by their compatriot Bendictine monks at New Norcia. Western Australian craftsmen, mostly using jarrah ...
A small watercolour painting reveals remarkable similarities between the 1919 pandemic and that of our times.
Peter Walker Fine Art established our annual Writing Award in 1999 to encourage writing for Australiana. At that time Australiana was a 32-page magazine, stapled, with three to five articles and a few black-and-white illustrations per issue. Twenty-two years on, the award has achieved its objectives. The Austra...
I trust all members had an enjoyable festive season with the family and friends they were fortunate enough to be able to see. As I have stated all too often, COVID never ceases to amaze with the number of twists and turns it continues to deliver. Who would have ever thought that, with the vaccination levels mos...
Australiana Society members visited the Ballarat region of Victoria in May, as part of a tour carefully planned by Victorian branch chair Robert Stevens. Luckily, it fell into a gap between COVID lockdowns, and gave members from several states a chance to get out, mingle and enjoy what the Victorian Central Gol...
Postponed several times due to Covid-19 restrictions, our plans for a visit to Bathurst in the NSW Central Tablelands, lands of the Wiradyuri Nation, finally came to fruition from 30 April to 2 May 2021, with the maximum
50 participants from five states taking part. Others were unable to attend for fear of not...
John Roy Eldershaw (1892–1973) was a landscape artist who worked primarily in watercolours. During his lifetime, he
was proclaimed to be ‘destined to leave unmistakable footprints in the sands of time’. In 1973 Sir Erik Langker, the arts administrator and influential member of
the Sydney arts establishm...
Decorative timber inlay work became popular in British and European furniture and other wooden items in the 18th century. European exploration of the so-called New World tropics and subsequent colonisation gave access to a greatly increased range of superb cabinet timbers. Cabinetmakers initially concentrated o...
Between arriving in Hobart Town as a convict on 3 August 1831 and the last evidence of his residing in Van Diemen’s Land in 1847, Meshach Stevens painted a very competent copy of a famous print after William John Huggins titled Northern Whale Fishery, published in London in 1829 (plate 1).1 For almost ...
In the preceding article, David Bedford identified four Australian manufacturers of cribbage boards: Grose Manufacturing Co of Brisbane; Clipsal, a brand name of Gerard Industries in Adelaide; John Sands & Co, founded in Sydney as Sands & Kenny in 1851; and Crown Mulga made by A.W.G. Davey & Sons Lt...
One of the most distinctive timbers in Australia comes from trees known by their common name as casuarinas. In botanical taxonomic terms, there are actually two main genera growing in Australia: Allocasuarina and Casuarina. A third genus, Gymnostoma, is restricted to far north Queensland. The timber characteris...
I trust all members enjoyed a wonderful festive season and new year with family and friends. Who would have thought at this time last year that 2020 would present us with the challenges that it did? Hopefully 2021 will prove to be more the ‘norm’. As I write this, regional COVID outbreaks appear to have bee...
Sometimes it is easy to find information about an artist in reference works. Sometimes information can be readily found through internet resources. Stephen Marshall, looking at wider issues of art appreciation, chose as an example William Young, who painted many watercolours around Sydney and NSW from the 1920s...